Tag Archive for 'Wes Anderson'

Podcast Episode 050

The Street Fighter movie, Super Mario Bros movie, Wes Anderson, Outsourced, Iron Man on DVD, Rampaging Hulk magazine, and reviews of new albums by TI, Skillz, and Solange Knowles are how we celebrate the big five-oh. Then, after the end theme, a special update as we learn about Street Fighter - The Legend of Chun Li.

 
 AudioShocker #50 [82:25m]: Play Now | Download

Culturology 002 - Shoot Brad Pitt in the Head After Reading

I realize that this post is, maybe, three weeks late to be as topical as it could be, but let’s look all the way back, for a moment, to the month of September and the Coen brother’s most recent film, Burn After Reading. I saw this on its opening weekend and wasn’t disappointed. Wasn’t blown away, but was generally quite entertained by it. I had been nervous leading up to it because of the movie’s trailers, which seemed to be advertising the film as essentially just an ensemble-casted yarn. But this is, in fact, what interests me about the Coen brothers in the first place: they seem to be able to make films with ensemble casts that are not, in fact, ensemble cast movies.

To clarify, by “ensemble cast movie” I mean any variety of film that is recognized, first and foremost, for its breadth of cast before anything else—be it (to keep my points of reference generally contemporary) the not-underrated-but-not-terrible-either Rat Race or the ensemble cast movie for the ages of The Royal Tenenbaums (or the later, terrible, Wes Anderson movies). So how can I separate many of the Coen brother’s star-studded rosters from the category? In a couple of ways:

1) Characters vs. stars-playing-characters. Are the main characters beings unto themselves, or obvious place-holders for the type of character most likely to be played by actor/actress X? With the Coen brother’s being generally well-known for their characters, here is perhaps a key as to why I don’t see their movies as being ensemble-y; for instance (though The Big Lebowski doesn’t necessarily figure into this conversation) Jeff Bridges (one of the great actors of his generation) is so completely The Dude that one forgets he is a star in many other movies as well—if anything, I have trouble forgetting that Jeff Bridges isn’t The Dude in other movies. Ensemble movies, therefore, are more actor-forward, such as Bill Murray playing Bill-Murray-as-a-hack-shrink in Royal Tenebaums, or any number of famous people just stuck into roles just north of cameos to get them on the cast list.

Continue reading ‘Culturology 002 - Shoot Brad Pitt in the Head After Reading’

FNMTV - Rope Chains, Capri Pants, Duffy, and More

It’s time for another round of FNMTV bashing - courtesy of yours truly. In case you missed last week’s post, MTV recently added a new segment called Friday Night MTV as a venue for video premiers and live performances. This salvo of music television begs to be discussed - because it is so clearly bottom of the barrel - but not in a formal video review manner. Consider these video review ‘quickies’.

Lil Mama - I’m What It Is (Strike a Pose)

Old skool rope chains, T-Pain sans vocoder channeling the pied piper, and Missy Elliot style antics make for a pretty kid-friendly video. I wouldn’t hesitate to show this to an 8 year old.

Boys Like Girls - Thunder

The band members all have similar haircuts to other bands, they sing slow and deep at first and then jump up an octave to belt out the chorus. Flashback / performance videos like this are boring. If I want to relive getting drunk in high school and doing dumb townie shit… I’ll look out my window at the douchebag highschoolers on summer vacation.

Shawty Lo - Foolish (Remix)

DJ Khaled has never been on a decent track, so this was doomed from the beginning. Morever, what self respecting rapper wears a beater when he has a gut - and for that matter CAPRIS? I’m not even watching the rest of this video. 39 seconds in and I am over it. I won’t even mention that Baby, AKA The Birdman, drops a vocoder verse.

Vampire Weekend - Oxford Comma

This actually did not suck. The whole thing reminded of a Wes Anderson movie- but one that didn’t suck. In fact, if all of Wes Anderson’s stuff was this short and pithy - Nick and I might like the guy a lot more.

Duffy - Mercy (Live)

I don’t know much about Duffy, but her voice is definitely an acquired taste. I can get into the track, but I’d like it more if it were by another vocalist. ZING! Other than that, this ain’t much to write home about. Here is the original video.

Lil Wayne - A Milli (Live)

It’s no secret that I’m not a huge fan of Lil Wayne’s recent records - but apparently he gets crowds hype. And really, how can I disagree with that? If you can rock ‘em right, you must be doing something right. He did race through the song though - he was def in a hurry to get out of there.

That’s it ladies and gents. You don’t have to go home - you can stay and comment here!

The Darjeeling (should have stayed in) Limited (release)

The Darjeeling Limited

Let me be honest with you: I think this movie sucks. I caught a free screening last night and damn am I glad it was free. I would have been pissed if I payed to see it.

The story follows three wealthy, eccentric white American brothers as they travel to India in hopes of a “spiritual” journey. If the spiritual journey thing wasn’t trite enough for you, I promise it gets worse. All they end up doing is going on a self-indulgent rampage that reaffirms their insecure, awkward, and unattractive personalities.

The Indian characters mostly merge together in a sort of tasteless way. There’s a pervasive feeling of disrespect for India, its culture, and its people that’s often accompanied by Wes Anderson’s weak attempts to show the grandeur of the country as “strange and foreign.” The whole thing feels ignorant. Hopefully I can get Justique post her thoughts as well. She had some interesting things to say.