Tag Archive for 'Video'

A Special Video Treat - The Top 10 Reasons to Move to NYC

As my first week of classes coasts to an end, and I think it is only fitting to release this gem to all of you. Behold, the world premiere of The Stern Class of 2011, Block 1 Team 2 (The Straight Shooters) talent show skit. Taped in HD, broadcast via Vimeo, direct to you.

We recorded and edited this top 9 10 last Wednesday night during Pre-Term Orientation (between the hours of 3-11pm), and I think the results are nothing less than stellar. Please note the Stern acting debut's of Trey, Yolanda, Julia, Xianglei, Matt, and myself as we dish the top 10 reasons to move to New York City! (Special thanks to YoYo the rat, everyone at the West 4th St. courts, and the bartender at the Slaughtered Lamb) And word up to Donny Goines for the ending credits track. (Go cop The Breakfast Club disc NOW!)

Next Week: Your regularly scheduled dose of the Top 9 as Nick presents The Top 9 Reasons Why DC Comics is Now DC Entertainment!

Consequence is Buggin' Out and Other Lo-Fi Video Classics

I harsh a lot on music videos for their shameless name/label dropping b.s. and general stuntin. I get all heated over poorly cast video chicks, bad dance routines, even worse treatments, and white backgrounds. In the end though, I thoroughly enjoy the multimillion dollar music video. It is more than just a guilty pleasure of mine, I genuinely enjoy watching their suckitude. (unlike HFCS, which I actively avoid)

But have you ever wondered what you could do with a pack of extra-large pingpong balls, some color filters, a couple friends, and a half hour of tape? Apparently Consequence and Rik Cordero did, and the result is this totally awesome (and short) music video for Buggin' Out 2009. I am digging the simplicity and crazy eye antics. Sometimes less is more people. (aspiring video directors take note!). And how do I feel about throwing back to an old Tribe song? I'll co-sign that too.

Want to see more lo-fi video classics? Check out Mjeezy in Emancipation (you'll have to use your auditory imagination since YouTube went all gestapo) or my onscreen debut in ETwo.

(Nick is totally gonna kill me for calling his stuff lo-fi!)

Ron Browz - You Suck And The Internet Agrees With Me

This video pretty much sums up my feelings on Ron Browz. Yes, I would prefer the pain of childbirth or the Jackassery of snorting salt over listening to another minute of Browz' horrible vocoder-riddled attempts at music.

That said, what is so bad about sniffing sharpies and waking up with wood? Those are totally natural things that no one should not be ashamed of. Sometimes I call people and tell them about it; just ask Nick.

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BREAKING NEWS: Stephen Colbert Has Twatted

Stephen Colbert & Twitter, courtesy of Meredith Vieira and The Today Show.

Black Panther BET Animated Series Preview Video

EDIT 01/19/2011: Well, this preview video has since been taken down and the BP show has been on a pretty rocky road since it was completed. But as of TODAY, it's available on DVD as "Marvel Knights: Black Panther."

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I haven't seen this Black Panther TV show animation preview posted anywhere, so I thought I'd share it:

I had no idea it existed until CBR's WonderCon 2009 Black Panther panel report paraphrased a quote from Denys Cowan about this animation test. According to Cowan, veteran comic book artist and producer of BET's Black Panther show, the original test reel was online somewhere (but he refused to give out a web addy for it).

Honestly, the most exciting thing about this video is seeing John Romita, Jr.'s art in motion. While I love the Black Panther character far more than your average comic book fan, I think the interview snippets with Reginald Hudlin and Cowan are a bit heavy handed. "The Black Panther is a black guy? No way! Oh shit dude we should totally talk about how black he is!!!"

But Hudlin, former BET head honcho and writer of the Black Panther show AND current writer of the Black Panther series from Marvel Comics, is obviously the driving force behind this... so I can't complain too much! I mean, at the end of the day, I'm just really excited to have one of my favorite comic book characters getting an eight episode prime time animated TV series based on some comic books that I enjoyed. Who cares about the politics of "selling" the series when you put it like that?

Video of a Girl Fight in the Ladies Room Makes the Chun-Li Movie Look Weird

I've been waiting for this. Not footage of women beating on each other in the bathroom, mind you -- I can find that pretty easily on my own anytime that I want.

No, I'm referring to preview clips of Street Fighter: The Legend of Chun-Li. Check out these odd video clips featuring poorly mastered audio and plenty of out-of-context fight scenes.

The more I watch them, the more I feel uneasy about Kristen Kreuk as Chun-Li. But I'll reserve full judgment for opening night, when I plan to be sitting front and center for this new Capcom film.

Until then, I'll watch this bizarre clip of Chun-Li throwing down in the ladies room with a female sparring partner. Note the moment when Chunny shatters the stall door -- how the f*ck is that even possible!?!

I Call Shenanigans On the 1999 MTV Video Music Awards

Ok people, the internet and I do not have a new music video review for you. Instead, please consider the following list of MTV Music Video Awards winners from 1999 and tell me it isn't suspect.

Video Of The Year Lauryn Hill, “Doo Wop (That Thing)”
Male Video Will Smith, “Miami”
Female Video Lauryn Hill, “Doo Wop (That Thing)”
Group Video TLC, “No Scrubs”
Rap Video Jay-Z feat. Ja Rule & Amil-Lion, “Can I Get A …”
Dance Video Ricky Martin, “Livin' La Vida Loca”
Rock Video Korn, “Freak on a Leash”
Hip-Hop Video Beastie Boys, “Intergalactic”
New Artist Eminem, “My Name Is”
Video from a Film Madonna, “Beautiful Stranger, ”Austin Powers 2
R&B Video Lauryn Hill, “Doo Wop (That Thing)”
Direction Fatboy Slim, “Praise You”
Choreography Fatboy Slim, “Praise You”
Art Direction Lauryn Hill, “Doo Wop (That Thing)”
Editing Korn, “Freak on a Leash”
Cinematography Marilyn Manson, “The Dope Show,”
Special Effects Garbage, “Special”
Breakthrough Video Fatboy Slim, “Praise You”
Viewers' Choice Backstreet Boys, “I Want It That Way
(source: Infoplease.com)

I think It is remarkable that out of 19 categories, Lauryn Hill walked away with 4 Moon Men, and Fatboy Slim took 3. Were the post-Fugees and overly accessible 'techno' that appealing to our collective musical pallete? (Ugh, FUCK Moby) Additionally, I have no idea how Will Smith's Miami got Best Male Video (and why are there gender specific categories?). Gettin' Jiggy Wit' It was great in 1998, but past success should not be used as a basis for future accolades.

And weren't boy bands huge until at least 2001? How then did the Backstreet Boys get Viewer's Choice but nothing else? I call shenanigans all over this list. Nonplussed, I dug deeper and pulled up the 1998 list. While it skews toward rock/alt, Madonna's Ray of Light just totally kills it - 5 Moon Men! How is Madonna spastically moving in front of a green screen worthy of awards for great choreography, direction, or editing? Could it be sales?

Let's look into that, according to the BillBoard Hot 100 and The Village Voice, the top single of 1999 was either Cher's Believe or TLC's No Scrubs. I don't see Lauryn Hill or Fatboy Slim anywhere. This suggests that the VMAs are based on something other than spins or sales. Fair enough, this is the Video Music Awards. But wait...

BOMBSHELL - Britney Spears' first single...Baby One More Time was released in Q4 1998, the album was released January 12th 1999, and the 1999 VMAs were in September. It does not add up. How is it that from 1998-2000, Spears won exactly zero Moon Men? Seriously, how many of you called TRL to request that video?

Personally, I am a little surprised that TLC's No Scrubs didn't clean up. That video was what 1999 was all about - hip hop explicitly defining the vernacular and the end of the shiny suit.  TLC was pretty huge in the 90s: Creep, Waterfalls, etc., and No Scrubs was a major hit. Even Jay-Z and rat-faced Ja Rule's Can I get A... or Ricky Martin's Livin' La Vida Loca would have been better choices than Doo Wop or Praise You.

Of course, the VMAs are indicative of nothing. They do not represent music sales, viewer requests, or any other quantifiable measure. Like all awards shows, they are a foil for shameless PR, red carpet pageantry, live performances, and mirror-facing self-congratulatory masturbation. It looks like MTV has recently (at least in 2008) extended the voting process to the public. Still, who are they fooling? You can't divorce a song from its music video. Nobody wants to watch a music video, no matter how awesome it is, if the accompanying song does not appeal to them.

Granted, my argument may have a few holes, and this is all based on two hours of armchair research, but I just cannot buy the 1999 MTV VMA results.

Here is big my question for the MTV VMA judges/voting committee: If Nick and I shoot a UAL video and pony up some guap, can we have the 2009 awards for Best Group/Rap/Breakthrough Video? We need to know soon, so that we can get our entourage ready.

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T-Pain Wants You To Freeze (on the dance floor)

New year, new music videos. That's what I say. Well, maybe not - but in this case it's true. T-Pain just dropped his new video for Freeze featuring Chris Brown on MTV2, and I've already run it through my mindgrapes just for you. As a refresher, we will examine both the track and the video.

The Track: Remember Mario's Just A Friend from 2002? Yeah, well Freeze sounds a lot like it. I mean a lot. The vocoder is always unwelcome, but I'm starting to accept that it is not going away anytime soon. And, all gratuitous pop, lock, and droppin aside, the song isn't terrible. There aren't any good punchlines or anything, so I doubt this will be popular with any real heads out there, but perhaps the b-boys will like it. I mean, it is hard to criticize someone for telling you to get your ass on the floor and move it. Also, this is one of very few T-Pain joints not about strippers/strip clubs. I see that as an improvement.

The Video: This half animation / rotoscoping, half live action technicolor thing has me making comparisons to T-Pain's other recent videos Can't Believe It and Good Life. Personally, I'd like to see a little more originality and a little less of this three ring circus/top hat crap. The video is all dancers on glass floors, pastel silhouettes, quick cuts, and that weird 60's multiplier video effect. Of course, Chris Brown's major appeal lies in his dancing skills, so his presence on this record is pretty understandable. Overall though, I am unimpressed.

The Bottomline: A weak beginning to the 2009 Music Video season.

Throwback Video - Eagle-Eye Cherry - Save Tonight

Last week I took you back to Monterrey, Mexico circa 2006 and told you all about Julietta Venegas. I enjoyed that so much that this week I'm throwing it back even further, back to 1998 and one of my shitty weather favorites: Eagle-Eye Cherry's Save Tonight. This is just one of those great 90s videos that didn't take itself too seriously and came out moderately funny. Granted, none of us have heard much from Eagle-Eye ever since, but at least we have this gem to remember him by. (Yes, it is a busy week at work, and no, I do not have time to review Britney Spear's new video Circus)

Julietta Venegas Reminds Me of a Richer Time

Let me take you back a few months - 24 to be exact. Back to a time when the Tequila flowed down my gullet and coming in to work on Saturday was de rigeur. My five months in Monterrey, Mexico were the most gluttonous period in my life. I boozed, ate out, and ran wild pretty much every night with no regard for personal safety or well... anything. I lived richly since I was on the company dime for everything but food - and all I ate were tacos and Pollo Loco. It was also a period of time in which I was forced to discover new media and could not rely on such steady standbys such as MTV, VH1, Fox, or even streaming video sites! The cable at my abode was pretty crappy by any standards (except for UK hotel cable, talk about shitty!).

So, I branched out. I listened to the radio in the beat up company Jetta we drove to work. I spent time watching the D99FM music video channel. I've already told you about Belanova and how much I dig their track Rosa Pastel and Calle 13 / Nelly Furtado's cloyingly sweet yet saucy No Hay Igual. I discovered how much people in Monterrey love the Strokes and Robbie William's Rudebox. I also discovered Julieta Venegas.

Venegas' new album Limón y Sal was burning up the charts when I arrived. She doesn't really fall into the CFV category, as she is more pop than that. But her music is listenable, she makes a watchable music video - the eponymous lead single had one of those early 90s / REM style videos, and it kept me afloat in a sea of Shakira.

Venegas recently, (as in, 6 months ago) recorded an Unplugged session for MTVTr3s and I think it is worth a listen. The first clip is the lead single Limón y Sal and the even more catchy Eres Para Mi. This isn't mindblowing the way that Shakira's Unplugged performance was mindblowing (seriously, it was probably the best thing she ever did) - but neither is it 'world music' a la Toto. Just watch:

San Pedro Garza Garcia - the neighborhood I lived in was full of rich things: expensive cars, expensive houses, expensive restaurants, expensive shopping, expensive nightclubs (that threw me out once), expensive stripclubs (that I never went to), expensive bars that served you drinks by the liter, hookah lounges, etc. It is the richest municipality in Mexico -- if not all of Latin America, and I'll always assosciate Venegas (and unfortunately Robbie Williams) with those images and months. So today, as I sit around depressed by the economy and my shrinking bank account balances, I plan on firing up some Venegas and pretending it's still Dec 3rd 2006 and that mom just hung up on me again for telling her how sunburned I was getting at the pool.