Tag Archive for 'Review'

Open Forum Book Club 001 & Love Monkey

Welcome back chum chums. As mentioned last week, I will be using this post as the official open forum for our summer book club. I hope yallz had a chance to visit your local library and check out something awesome. Since we don't have a real agenda or any unanswered comments from last week, let me kick off this week's post by giving you a quick review/brief on what I read last week.

This past weekend I finished Kyle Smith's Love Monkey. The run down: our protagonist, 32 year old Tom Farrell, works at a tabloid called (har har) Tabloid as a robotically uninspired hack. Tom drinks too much. He exercises too little. He loathes himself just the right amount. Unsurprisingly, he has girl problems. He pines for a woman he can't have and is surrounded by others who are looking for something better. So, he takes life lessons from his dubiously successful friends, and music legends of old (Michael Stipe & Mick Jagger). Somehow he gets a bunch of these women in bed, juggles them, and then he fucks it all up. Excited yet? You really shouldn't be. Tom sucks. I hate Tom.

What strikes me about Smith was how quickly he and his protagonist simultaneously draw inspiration from Nick Hornby's High Fidelity and then trashes it at the same time (seriously, it is all but called out by name) -- all within the first 40 or so pages. Given how quickly Smith returns to musical references and plays up Tom's preferences for this album over that album and how much he talks about music, it seems hypocritical to be so down on Nick.

What the book does well is embody Tom's personal desires and aspirations in his closest friends. His desire to get married. His desire to settle down. His desire to have a kid and be happy. And his diametric opposite: his desire to be a tall, black, cut, rich, casanova who doesen't give a shit about any woman (but who ultimately is just as personally tortured by a lost love as Tom is). There's this scene in a strip club where shit just goes haywire. I read that whole section as the inner workings of a really bad drunk/depression/breakdown.

It doesn't surprise me that Tom's self described 'manboy' personality is as detestable to me as it is to all the ladies he meets. He tries to internalize all the lessons thrown at him, and he learns from each of the ladies he gets involved in, but ultimately he satisfies none of them. He's too busy trying to be all things to all people.

In the aftermath (and well worn territory) of Sept 11th, Smith addresses things like terror sex (first identified to me via a now defunct [but VERY cool] blog called The Black Table) and how unrealistic we are. Are we trying to have it all -- and is that even a reasonable expectation? Tom couldn't - but if you need a funnier, more uplifting depiction from a female's POV, queue up any recent season of 30 Rock.

--- Ok, that's what I read. Now please, tell me what you are up to, literarily speaking.

Silber Media Minicomics MEGA REVIEW!!!

Okay, I've been slacking. With good reason, mind you, but slacking nonetheless. I've been telling Brian John Mitchell that I would review his most recent stack of minicomics for what feels like an eternity (in this case, eternity = a couple of months). So I present to you a MEGA REVIEW of Silber Media's latest minicomics - let the games begin!!!

Lost Kisses #9

I didn't really warm to this issue until about halfway thru. At first, I was a bit apprehensive of the concept, worried that maybe it wouldn't hold my interest all the way thru the issue. But somewhere along the line it clicked for me and I became emotionally invested in the end result. That's the way Lost Kisses always goes - Brian John Mitchell inspires confusion, disdain, and respect (in that order) every time I read this series.

This particular installment features the main character - a somewhat simplified version of the author - as he speculates on his disconnected social nature. He wants to know why the wives, husbands, boyfriends, and girlfriends of his friends don't like him. Thus begins an introspective journey that may end up forcing you to speculate on your own social relationships with friends.

Lost Kisses #10

Somewhere around the end of Lost Kisses #9 and the beginning of Lost Kisses #10, I had a mini eureka about this series: Lost Kisses is about an outsider indie artist who fantasizes about normalcy. Granted, normalcy (in this case, middle-aged American normalcy) is not necessarily an agreed upon concept, but I think you get what I'm saying - spouse, kids, full-time job, etc.

The premise is simple - the main character's friends have been saying "I love you" lately, and the main character isn't having it. Not only does he dislike saying it to acquaintances, he doesn't say it to close friends or family either. By the end, it's apparent that the main character is becoming either apathetic or accepting to the idea of saying "I love you." It's to the credit of the author that the ending grants closure but remains somewhat ambiguous.

Worms #4

I'm not gonna lie - I have a hard time connecting with Worms. It's an abstract and violent fantasy that just doesn't capture me. I appreciate the experimental narration by Brian John Mitchell and the minimalist art of Kimberlee Traub, but I'm just not drawn to this series in the same way as Lost Kisses. I dig the weird nurse-fetish thing going on, but that's about all that struck my fancy.

XO #5

This comic sits somewhere between Lost Kisses and Worms. It has the violent fantasy of Worms with the introspective and familiar narration of Lost Kisses. Accompanied by the character-driven art of Melissa Spence Gardner, XO #5 reads like an extended edition of a sick Bazooka Joe bubble gum comic, only the punchline is murder.

Occasionally, when the images become symbolic, I get confused. I think this minicomic works best when it's literal - seeing the simplistic-yet-visceral representation of this story's events really drives home the violence. It may sound odd to say it, but this issue is at its finest when the aloof narration is paired with literal interpretations of casual brutality.

Just A Man

I'm a bit speechless after reading this minicomic. I didn't expect this type of suspenseful action from the same author I know best for his Lost Kisses brand of self-depreciating introspection. Brian John Mitchell shows excellent range in his scripting of Just A Man, a badass western that epitomizes the genre while using a completely fresh medium to tell the tale.

The art by Andrew White is extremely well-matched to the plot. His slow burn style quickly switches to sketchy fury when the action ramps up. Though the art is at times impressionistic, it always conveys the necessary emotion. All in all, I'm truly impressed by this issue. It's a wonderful short story that packs a big punch in a small space.

X-Men Origins: Wolverine - TXT Message Review

It was raining in New Haven today, which meant the movie theater was going to get mobbed by 4pm. So, in order to avoid the hoard of marauding teenagers, my brother and I decided on the 1:15 viewing of Marvel's newest masterpiece, X-Men Origins: Wolverine. As usual, our reactions in 160 characters of less (seriously Twitter, what is with the 140 limit?)

Neal thinks it stinks

Was not a fan. Alt ending was lame. The whole thing was just refs to other characters and setups for other movies. Remy was shitty too. And Will.I.Am??

Nick attended a later screening in Pittsburgh and had this to say:

Nick says it's a go

I enjoyed the Wolverine movie. It had its problems but overall it was pretty fun. They really fucked up Deadpool, but it still managed to make sense. 7 outta 10

Personally, I think Mr. Marino is being way too generous (I do agree re Deadpool), but he is entitled to his opinion (as are you). Look for our heated debate on Tuesday, in Podcast Episode 79!

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Lost Kisses #6 mini comic review

Lost Kisses #6

Brian John Mitchell continues to confuse and surprise me in equal parts with Lost Kisses #6. While I am utterly perplexed by some of his musings, I am in awe of his brutal honesty. Writer / artist Mitchell refuses to back down from thoughts or observations that would be easily judged or labeled by others. He bares his soul to the benefit of the reader's own psychological exploration.

Notably, this issue of Lost Kisses takes things to a new level. Instead of directly extolling the good and bad elements of his own neuroses, the creator extols the good and bad virtues of the woman he loves. Is this his wife? His girlfriend? His mistress? It's irrelevant. What's important is that Mitchell is head over heels for her. Wait a minute... is he???

Flip over this comic and it provides a counterpoint argument to Mitchell's deep love. This dialectical mini comic presents cons as well as pros about the creator's lover. She has past emotional trauma and refuses to deal with it. She's overweight. She trashes the very art we're reading. But back on the other side, she's the calming force in Mitchell's life. She's stable. She's loving.

Personally, my favorite moments are when the creator introduces awkward observations into the story. Phrases such as "rogue nipple hair" and "premature saggage" will be dancing in my head for the next couple days. (Oh, and Brian, I'm over 25 and I love big boobs. Why? Because they're awesome. And big.)

On the inside front cover of the mini comic, Brian John Mitchell tells us: "Technically this issue is not a comic because the panels are individual gags rather than sequential art." I couldn't disagree more. Though the story is told through individual moments, this issue is 100% comic. The panels work extremely well when read in order, and the sum of their efforts produce a fascinating look inside the head of an insecure man who is deeply in love. 5/7

5 out of 7 Shocks

Related reviews by Nick: Lost Kisses #5Lost Kisses #4

Gran Torino - TXT Message Review

Gran TorinoSaturday afternoon, Peoria Illinois, 1:35pm, a jam packed movie theater. I'm there to see Eastwood's new flick Gran Torino and apparently so is everyone else in town. The $5 matinee is hard to pass up. Post-flick I tried to send nick a text, but after dropping my phone so many times, I can't use the backspace key. Anyway, here is what I would have said in 160 characters or less:

Gran Torino is Clint making racist jokes, being surly, and 'manning up' a young kid. Good stuff. The audience and I dug it. You might too, don't be a pussy.

That's all I'm going to give you right now. Tune in to Podcast Episode 63 this Tuesday for the full rundown.

Wet Moon 4: Drowned in Evil - TXT Message Review

I read Ross Campbell's Wet Moon 4: Drowned in Evil graphic novel last week in preparation for our podcast interview airing on December 2, 2008. Here's the text message I sent to Ross when I was done:

Finished wet moon 4. Loved unknown, the cleo & mara thing, and especially the ending.

There's an Unknown hero running around Wet Moon...

For good measure, here's an interview with Ross on Comic Book Resources about Water Baby and Wet Moon 4. And for extra awesome measure, here are the AudioShocker's most recent podcast interviews with Ross, one about Water Baby and the other about Wet Moon 4.

I Am Listening To: Skillz - Million Dollar Backpack

SkillzI'm not really familiar with Skillz. According to Wikipedia he's been active for a while as an artist and ghostwriter. I first found out about him via NothingButEverything. I watched the video for Be Alright and I was hooked. I sent the link to Nick and he felt it too, 'decent feel good track'. It was so laid back that when I got home I decided to peep the whole album, Million Dollar Backpack.

The album features a ton of producers including DJ Jazzy Jeff and ?uestlove. Black Thought, Common, and Freeway are the only named guests.

My favorite cuts:

So Far So Good - Reminds me of a Slum Village cut.

Sick - Great brag track. I dig the beat and all the references. This would be good for a dance battle.

He Don't Own Me - What is it with handdrums? They are so hot right now!

My Phone - Another name dropping brag track like 'Sick', but about girls. Builds up to a great ending.

Hold Tight - The horns do it for me and the rhymes are tight.

Be Alright - Like I said, it's smooth and upbeat.

Preachin To The Choir - Remember story tracks? This is a rare treat these days.

The Bottom Line: The album has some solid tracks. But as LeVar Burton would say, you don't have to take my word for it.

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Fringe: Alias For a Lost Cause

This post was supposed to go up yesterday, so sorry about the lateness. Actually, it was supposed to go up a week before yesterday, before the second episode of Fringe aired, but that clearly didn't happen. I told myself that I didn't feel like writing was because I was sick. When I got better, I said that I wanted to give it an episode past the pilot before judging it. The fact is, however, that I just didn't feel like it. It's not that the show is so very terrible or that it's too brilliant to discuss; it's neither. It's just so mediocre.

We've seen a lot of shows like this: a wide-eyed naïf joins a shadowy organization committed to uncovering even shadowier plots and hoping to strike a blow at the yet shadowier entity that lurks behind it all. The mystery of the week is solved and understood within the episode, but our heroine still isn't entirely sure of for whom she's really working. Neither does she suspect that the multinational corporation she's been consulting is really totally evil, although every audience member came to that realization half an hour into the pilot.

Continue reading 'Fringe: Alias For a Lost Cause'

The Happening - TXT Message Review

I dipped out of work early today in order to grab a Honkers Ale at Old Chicago before screening M. Night Shyamalan's newest attempt at cinema. Here is the text I sent Nick on my way out of the theater. (160 characters or less)

The Happening wasn't scary or entertaining. message was totally lame - shitty even for a matinee. Shyamalan is making my last name look bad.

I probably should have seen Get Smart or Kung Fu Panda instead.

ComicShocker Week 14 2008

I guess I expected Secret Invasion #1 to be a bit more shocking. Not that it wasn't good - Lenil Yu's pencils look strong with Mark Morales on inks and Laura Martin on colors; Brian Michael Bendis delivers a strong script. But the overall story felt much like your typical issue of New Avengers. That's a good thing, of course. But not necessarily an event comic thing.

I certainly wasn't out and out taken aback by any Skrull development that happened. Surprised a bit? Maybe here and there. But no "knock me on my ass" moments like the first issue of Civil War. I remember finishing Civil War #1 with my mouth agape, shocked at the words of Iron Man. It had attitude like the Bad Boys movies and hyper-real visuals. Secret Invasion, on the other hand, has a decidedly slow burn pace that feels more like a political thriller than a big action movie.

And I'm sure that's the point. I imagine that Bendis wants this story to read a bit more mature and subtle than the past two Marvel Comics spring / summer events (the aforementioned Civil War and World War Hulk). To that end, he is successful. However, I didn't drop my jaw anywhere. I didn't even scream anything out loud, often a sign that I'm lost in the fictional illusion of the story to my delight.

But like I said, the book is good. I'm not going to be spoilerish, that is unless talking about the fulfillment of expectations counts as spoilers (which, this reader believes, can have way more spoiler potential than learning about the plot). It is excellent to see Luke Cage as a pivotal player in the Marvel Universe, even if Lenil Yu doesn't know which way his tiara should be facing (ooo, watch out for spoilers!!!).

My favorite part of the issue? Three words: Reed Richards spaghetti. Mr. Fantastic needs to score a licensing deal with Ragu now. Visually, this moment is a close second only to Clor getting his robotic brains bashed out by Hercules. It's creepy and fascinating at the same time.