So I know in my first few columns here that I haven’t been quite as topical as I might be—more or less current, but not as current as I can be—I do aspire to one day being so on the pulse of American Popular Culture as to blog these things as they happen, but until then we’ll just keep turning back the clocks. This time, all the way back to the beginning of September and the Republican National Convention. Specifically, the following video of Rage Against the Machine rocking out acapella for a crowd of protesters (it’s a long video, so I recommend that you fast-forward liberally, watching just enough to become acquainted with its content (like the incredible lameness of the “acapella” guitar sounds everyone makes):
So, wow, it sure is a good thing that RATM got back together this year for the election, huh? If Obama wins, I’m definitely going to credit them for tipping the balance in his favor. But, I’d like to think that its more complicated than that—that I’m being unfair in rather flippantly blowing off RATM’s supposedly politically motivated reunion as rather being a cynical money-grab (though, maybe it’s more just an ego thing, not a money thing - they’re probably the types that enjoy thinking that they’re making a difference). They’re an interesting band, really (what, they totally, like, invented rap-rock, right?), and most interestingly, they’re the one band that I know of that draws listeners from both sides of the American political mainstream most successfully, despite their supposedly inflammatory leftist lyrics. I’ve definitely had jobs of several workplaces where the agreed-upon music to listen to as a whole group was Rage, with the Republican-types generally saying something to the extent of “I don’t really like their politics, but they sure do rock hard!” Exactly! No one has ever given a shit about what they’re singing, so long as it sounded cool (and it does sound cool).
Continue reading ‘Culturology 003 - Rallying ‘Round the Rally’
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