Tag Archive for 'John Romita Jr'

A Podcast with Ross and Nick #9 - Superhero Fashion Sense

Part 4 of INDECENT PROPOSAL begins in crisis as Ross Campbell and Nick Marino talk about Wet Moon casting, which quickly leads to the disastrous (and supervillainous) The Last Airbender casting and begs the question: is M Night Shyamalan a real-life supervillain? Things shift to Batman and Robin #1, All-Star Superman, We3, Grant Morrison, Frank Quitely, buying comics because you can't stop, incredible creators who shouldn't work together, Astonishing X-Men, New X-Men and superhero fashion sense, X-Men Legacy, JRjr and Armor Wars II, and more.

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The X-Men Reborn...

X-Men Forever #1YES! YES, BABY, YES! This is what I've been missing!!!

I grew up on Chris Claremont's writing. I've always loved his technique (honestly, I think the drama and the dense prose of his work is part of what makes it so much fun). He's distilled his infamous Uncanny X-Men style down to its most engaging elements in X-Men Forever #1. If you've loved Claremont's work in the past, there's an excellent chance that you'll love this first issue.

Some out there have been heavily hating on Claremont for the past decade. Personally, I've loved some of his most recent writing. Though New Exiles wasn't my bag, I thought his latest run on Uncanny X-Men was just starting to pop with brilliance when he was shuffled off of the title (also, I think he suffered a heart attack around that time). While I found his collaboration with Alan Davis and Oliver Coipel to be decent, I found his work with Chris Bachalo and Billy Tan to be wonderful. Grey's End was a chilling few issues that used a fascinating interpretation of the passage of time to tell a riveting tale. As for other recent work, I was also moved by CC's issue of Excalibur that explored Nocturne's frustration with her paralysis.

And while those comics were near and dear to my inner Claremont fan, they weren't nearly as indulgent as X-Men Forever #1. When I say indulgent, I don't mean it in a bad way. I mean indulgent like rich ice cream or expensive chocolate - indulgent like a delicious desert. Working with Tom Grummet, who's been attached to Claremont for a couple of years now, seems to only deepen the indulgence. I've long been a fan of Grummet's work and this issue may be some of his most enjoyable pencils to date.

All in all, this feels like a rebirth of the X-Men to me. Maybe I'm just too old school to properly move on from the glory days of John Byrne, Paul Smith, and John Romita, Jr. But I don't care. X-Men Forever just feels right to me. Though I've vowed to shy away from as many $3.99 single issues as possible, I can't deny myself Forever (get it?). I await issue #2 with bated breath.

Armor Wars II Was...

... an AMAZING read, if only for John Romita, Jr.'s artwork. He's really in top form from Iron Man #258-266.

But to give JRjr all the credit would be unfair to the other great artists on the book. Bob Wiack inked everything, and from what I can tell, he's the best inker JRjr ever paired with. Well, that's my opinion, at least.

And John Byrne was great, too. The guy wrote the damn thing and it's a terrific story. Did Byrne write this story arc in Marvel-style or full script? Unfortunately, I'm not too familiar with the behind-the-scenes stuff that went on with Armor Wars II, so I have no idea what the answer is to that question.

The reason why I think this may have been a Marvel-style piece is because JRjr's name is listed as the first credit in the book throughout the story arc. Off the top of my head, I can't think of any other serialized superhero book where that's been done... unless the penciler was also the co-plotter. And with Marvel-style, the penciler becomes the de facto co-plotter.

(Speaking of "de facto," that makes me think of Tom DeFalco. See this blog post for more.)

BUT back to Armor Wars II and on with my praise of the artists involved. Paul Becton's colors were gorgeous. They had a slightly sloppy look here and there, which was actually an wonderful touch on top of JRjr's occasionally sketchy work. Panels sans backgrounds became especially vibrant when Becton used a solid splash of bright color to fill up the blank space.

Last but not least is letterer Michael Heisler. Now I'm about 85% sure that Chris Eliopoulos did the final issue of Armor Wars II, but Heisler did the rest. Oddly, the issue with the strongest letters is missing a letterer credit (is it #264 or #265... maybe #263?). The letters in Armor Wars II are a bit more compact than most comics. This isn't an overly wordy story, but the dialogue does get involved at times. Heisler did an expert job at making the letters interesting but never intrusive.

If you could read only one issue of Armor Wars II, read Iron Man #261. That comic book absolutely blew my mind. It's told as two separated stories that complement each other. The stories never intersect, yet nearly every page is split right down the middle, with Iron Man up top and the Mandarin below. I would bet big money that this particular issue was a huge inspiration on a young Chris Bachalo.

It's important to mention that the Armor Wars II label is a bit of a misnomer. There isn't too much in the way of armored hijinks until the final two issues. Not that Tony's armor isn't important throughout the whole story - it's just not the focal point necessarily.

In the first Armor Wars, you'll notice that the story arc is actually called "Stark Wars" in the original issues. My understanding is that it was later changed to "Armor Wars" in collected editions and other reprints. Oddly enough, Stark Wars or even Stark Wars II would have been a far more accurate name for Armor Wars II.

But all in all, I can't complain. Armor Wars II is wonderfully paced and extremely satisfying from cover to cover. Just know that the end is a bit anticlimactic. Still, despite the rapid escalation and deflation of the action in the final few pages, I think the ending is interesting and very natural. It just needs a "FIN" or "END" caption in the last panel.

P.S. Oh, and JRjr definitely draws the best Rhodey ever. Armor Wars II just confirmed my feelings I had after seeing his version of James Rhodes in Iron Man #256.

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Iron Man #256 Is...

... an interesting collaboration between Bob Layton and John Romita, Jr.

This 1990 issue falls at the end of Bob Layton's second lengthy run on the title (David Michelinie is, sadly, not involved with this one). And, if I'm not mistaken, this issue marks JRjr's first work on the Iron Man series. So it's like a passing of the torch in a creative respect, since JRjr will go on to draw Armor Wars II as written by John Byrne.

And speaking of Romita, Jr., he's in top form here. The guy has had many different qualities to his style over the years, and I think that Iron Man #256 catches him at one of his peaks. In particular, his faces reach an artistic pinnacle here, finding a balance between his previous work on Uncanny X-Men and his later work on Spider-Man. Rhodey looks especially excellent. In fact, I think JRjr's Rhodey is my favorite visual depiction of the character (out of costume, of course).

As for story in this issue, Tony Stark ventures out to his nearly decimated orbiting space station to attempt a little bit of cleanup. Max Cauwfield of Cauwfield Chemical has designed a way for Tony to fix up the damage that AIM did to the space station earlier in the series, and Tony jumps at the chance to get his station functioning again.

And when I say earlier in the series, I mean 40 issues previous to this tale. That's one slow burn plot element! However long it took to cook to the surface, though, it's gratifying to see a character revisit an old plot element and make good on the dangling plot threads from years before.

Of course, things don't go to plan and Iron Man's journey out to the fringes of Earth's orbit make for a fascinating and introspective solo jaunt. I truly enjoyed the storytelling here, almost as much as I enjoyed Len Kaminski's run on the title.

Speaking of Kaminski, he too will revive the space station plot element at a later date, pitting Shellhead against the Technovore supervillain in Iron Man #294-295. The Technovore is mad science gone wrong, as Cauwfield's organization was performing dangerous experiments in Tony's oribital station and things got a bit out of hand and then there was an accident and... well, let's just say that Technovore is a classic Len Kaminski technology monster and leave it at that.

Point is, Iron Man #256 is sort of like the midway point in a trilogy of spread out tales, ranging from the fight with AIM in Iron Man #215 to this "clean up" in #256 to the eventual battle against Technovore in #294. This excellent story is allow to gestate and build in the background of Tony Stark's life over the course of no less than 80 issues. In my mind, that's an awesome achievement.

Black Panther BET Animated Series Preview Video

EDIT 01/19/2011: Well, this preview video has since been taken down and the BP show has been on a pretty rocky road since it was completed. But as of TODAY, it's available on DVD as "Marvel Knights: Black Panther."

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I haven't seen this Black Panther TV show animation preview posted anywhere, so I thought I'd share it:

I had no idea it existed until CBR's WonderCon 2009 Black Panther panel report paraphrased a quote from Denys Cowan about this animation test. According to Cowan, veteran comic book artist and producer of BET's Black Panther show, the original test reel was online somewhere (but he refused to give out a web addy for it).

Honestly, the most exciting thing about this video is seeing John Romita, Jr.'s art in motion. While I love the Black Panther character far more than your average comic book fan, I think the interview snippets with Reginald Hudlin and Cowan are a bit heavy handed. "The Black Panther is a black guy? No way! Oh shit dude we should totally talk about how black he is!!!"

But Hudlin, former BET head honcho and writer of the Black Panther show AND current writer of the Black Panther series from Marvel Comics, is obviously the driving force behind this... so I can't complain too much! I mean, at the end of the day, I'm just really excited to have one of my favorite comic book characters getting an eight episode prime time animated TV series based on some comic books that I enjoyed. Who cares about the politics of "selling" the series when you put it like that?

The Top 9 Greatest X-Men Pencilers of All Time

9. Rick Leonardi

8. Chris Bachalo

7. John Romita, Jr.

Continue reading 'The Top 9 Greatest X-Men Pencilers of All Time'

AudioShocker Podcast #56 - Beer Goggles Are Dangerous

Quantum of Solace would be better on valium, James Bond seriously needs some gadgets, the Bond girls are boring, All I Want is pathetic but it has typewriters, even T-Pain's top hat can't ruin the Ludacris video "One More Drink," the new Star Trek trailer makes Neal excited, and he wraps up his half with a review of a WSJ review of Slumdog Millionaire.

Then Nick takes over to discuss Uncanny X-Men #165-#175, the "From the Ashes" run by Chris Claremont and Paul Smith. Nick dissects their work, identifying the artistic nuances that make Smith's pencils so incredible while noting how Claremont introduced so many classic X-Men elements in such a short space of time.

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