Tag Archive for 'Hollywood'

Sneaking Into Comics 007 - A Failed Intern Gives Advice on How to Score an Internship

If you know me, this might be hard to believe: I am currently on an advisory board for a student internship center. That’s ironic because I’ve only been an intern once (with Man Made Music, a small music production company) and it was long after I finished college. Therefore, I am no expert on how to be a successful intern.

However, I am an expert on how to be a failed intern. I’ve applied with both DC Comics and Marvel Comics (numerous times). I’ve let great connections at publishing companies like Random House and Ingram slip through my fingers. And I even botched a shot with Nancy Cartwright, the voice of Bart Simpson.

Both of the Big Two comic book publishers posted their internship opportunities much later that I expected. I thought they would be locking down interns in March or April. Not the case. DC and Marvel waited until late May / early June. And I would have been a great candidate… if only I had waited for their postings and not given up earlier.

I think the best way to get a resume to the right Big Two people is to pass one along through an editor. As a college grad, I managed to have some light communication with editorial. I once sent Andy Schmidt a resume back when he was with Marvel, and I think that would have been a great “in” had I been eligible to be an intern (you have to be a student).

As for publishing companies, my dad actually used to be the head of Ingram’s digital printing division. Think of the great connections I could have made there as an intern. Instead, I decided it would be better to work as a YMCA summer camp counselor. That was one of my worst ideas ever. Later, a connection of mine from Ingram became the President of Random House. And what did I do? I blew that connection too! I called him up once and I failed to sell myself whatsoever. Another week, another blown opportunity.

The biggest and best shot I ever botched was a chance to intern for Nancy Cartwright. She works out in Hollywood, so naturally the internship would have been spent in Los Angeles. She needed someone who could navigate the city and get around easily. I should have said, “Okay, Nancy. I don’t know Los Angeles that well… yet. But give me a month to research the city and I’ll know it like the back of my hand!” Instead, I rushed off the phone and promptly lost her number.

So here’s what I learned from all this: 1) Be patient. If the opportunity doesn’t come along right away, stay vigilant. I called Marvel Comics every week for four months, but I never got a response because the internships weren’t being offered yet. By the time they were available, I had stopped calling. 2) Be enthusiastic. Prove you’re a necessity by being assertive and resourceful. 3) Fucking intern ANYWHERE!!! If I had interned at any one of these places, I would have been well on my way. Instead, I spent my summers earning minimum wage while working sucky, depressing jobs.

And that’s just another reason why I’m going to have to sneak into the comic book industry if I ever want to make it in.

The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part Two

Yeah, so last week I ran The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part One, which consisted solely of reasons nine thru six. Why? Because I’m a dick.

And now, for your consideration, are the decidedly more irreverent Top 9 Reasons Why Comics Don’t Need to Be Saved reasons five thru one:

5. Newspaper comic strips are dying because fewer and fewer people want to read newspapers, not because they don’t want to read comics. Now they go and read this stuff on the Internet. They’re called “webcomics” and those are doing just fine.

4. Seriously, Hollywood wants to give comic books fellatio right now. In fact, they may have already finished the fellatio and moved onto the hardcore doggiestyle section of “Filmstriptease presents Cramming Comics vol 1.” Soon they’re going to be finishing off vol 1 with a spectacular facial (which could be as soon as Watchmen or as far away as the Avengers movie). It all depends on how long Hollywood can keep it up.

3. Single issues are really a niche product at this point and I don’t think there’s anything that’s going to change that. I’m part of that niche audience and I love the singles, but most people want a bigger chunk of story. If that’s the case, let the singles slowly fade away and bring on the graphic novels because…

2. Graphic novel sales continue to look hopeful. Bookstores are carrying graphic novels by the hoard and putting them up in huge floor displays all the time. I don’t think that would happen if there wasn’t some serious coin to be made. Guys whose names have been on the tip of my tongue for the majority of my natural life are slowly becoming adored literary idols for a new generation of readers. Fuck, I just saw Watchmen sitting on a shelf in Borders in their “Bestsellers” section when I went to buy the Iron Man DVD.

1. Comic book storytelling continues to improve. I see it every week when I read my Wednesday haul of new comics. And at the end of the day, it’s all about good content.

Next: The Top 9 Things That May Have Gone Wrong with Last Defenders - Part One

Why the Top 9? Because 10 is too many and 9 is better. 3 X 3 = Awesome. Now that’s what I call math.

The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part One

A bunch of comic book people are like, “OH NO! Comic books are going to die in five years because we’re not kissing the general public in the ass enough! Our business plan is all wrong! Creators are mismanaging their careers! And Superman isn’t accessible to five year olds anymore!!!”

You know what? Shut up. That’s right. I said it. Just shut the fuck up.

Comics aren’t going to “die” and they certainly don’t need to be “saved.” Here are the top 9 reasons why:

9. Comics are a medium of expression rooted in the most basic form of visual storytelling short of acting — a picture and some words. How the hell can you “save” that and how could it ever “die”?

8. If you’re worried about the modern comic book publishing industry dying, well then that’s a whole other thing. But I don’t think it’s going to happen anytime soon when you have some of the world’s most lucrative licensed characters coming out of a long legacy of comic book publishing.

7. While superheroes are bound to fall out of favor in Hollywood in a couple of years, actual interest in physical comics is going up. Trust me, I know. People used to ask me if the movies were anything like the stories. Now they ask me where they can go to buy the comics. Hell, even MTV and the LA Times now have blogs that address comic book news on a daily basis. That’s only going to boost interest.

6. This shit is cyclical. Sales of comics will dip and they will rise. They will do that, over and over, until the day humans no longer view printed media and digital projection screens connected to their information boxes.

At some point in the recent past this column became a two-parter thing. Totally defeats the purpose of a having top 9, right? Well that’s just the kind of mindfuck arseholeness I’m all about so deal with it!!! The final five reasons why comics don’t need to be saved will be here in only seven short days, and I promise they are way more offensive and interesting these these first four reasons.

Next: The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part Two!

Why the Top 9? Because 10 is too many and 9 is better. 3 X 3 = Awesome. Now that’s what I call math.

Podcast Episode 033

An interview with Conrad Knapp, our Hollywood AudioShocker insider. We chat about Paris Hilton table dancing, Vice Magazine, Colt 45, Chromeo, Rage Against the Machine, Beyonce stealing iPod speakers, filming music videos, Sonic Impact, smashing brand new Gibson guitars and drums, fried chicken, throwing away garbage in Los Angeles, and more.

 
 AudioShocker #33 [32:20m]: Play Now | Download