Tag Archive for 'Comics'

Comic Books 08.27.2008 - What I Expect to Get

Here’s a little experiment I want to try. Every week I go to my local comic shop, and beforehand I prepare a list of what I plan to get. This list is, of course, never what I end up going home with. I want to try and track how accurate my list is in relation to my actual purchases.

I’ve gone through Diamond’s direct market shipping list for this week and made my choices. The top section reflects my actual pull list at my comic shop. The second section represents books that I might like to pick up, but I haven’t put them on hold and therefore I will check them out once I get to the store to make my decision.

The top line of the bottom section represents the grand total if I purchased all of the items in the first two sections (which never happens). The bottom line represents the estimated total I think I will spend based upon an educated guess of my actual tastes (this line is new to my list and I’m not sure how accurate it will be).

AVENGERS INITIATIVE #16 $2.99
BLACK PANTHER #40       $2.99
MVL ADV AVENGERS #27    $2.99
MVL ADV SUPER HEROES #2 $2.99
X-MEN LEGACY #215       $2.99
*** Pull List ***      $14.95


AMAZING SPIDER-MAN #569 $2.99
WOLVERINE #68           $2.99
MVL ADV FANTASTIC 4 #39 $2.99
SHE-HULK 2 #32          $2.99
NEW AVENGERS #44        $2.99
FC SUPERMAN BEYOND #1   $4.50
*** Extras ***         $19.45


*** Everything ***     $34.40
*** Estimated $$$ ***  $23.92

Tomorrow or Friday I will post what I actually purchased.

Podcast Episode 044

The House Bunny, Hamlet 2, Tropic Thunder, Steve Coogan, Never Back Down, Cashback, Smart People, Amazing Spider-Man #568, Special Forces #3, GeNext #4, True Believers, GMAT, Colin Hanks, the Watchmen movie lawsuit, Philip K Dick, Netflix, and more.

 
 AudioShocker #44 [40:10m]: Play Now | Download

Great, You Took a Comic Book and Adapted it Panel by Panel into a Film. Who Gives a Shit?!

The blogosphere is buzzing about Zack Snyder’s “faithful” adaptation of the Watchmen mini series into a film. When I say mini series, I mean it. Watchmen is, in fact, a collection of single issues as opposed to an original novel-length work. But “The Most Celebrated Comic Book Mini Series of All Time” isn’t as impressive, so I understand why it’s universally referred to as a graphic novel. Watching this movie is supposed to be like the comic moving before your eyes (though they already did that with Warner Premiere’s Motion Comics and it looks like poop).

Truthfully, it all leaves me feeling cold. If the movie is just a direct adaptation of the comic, then who gives a shit? I already read Watchmen. It was great. I don’t need to read it again, let alone sit as a captive audience member for some ungodly length of time in a movie theater. By the way, three fucking hours??! Snyder, are you out of your gourd? I sat thru 2.5 hours of The Dark Poop and I almost screamed in pain after 1.5 hours. If Watchmen is going to be 180 minutes, then split it in half ala Kill Bill so I can go home for a couple months in the middle.

Continue reading ‘Great, You Took a Comic Book and Adapted it Panel by Panel into a Film. Who Gives a Shit?!’

Podcast Episode 043

Chop Shop, Step Brothers, Will Ferrell’s nutsack, True Romance, over-hyped Judd Apatow movies, Seth Rogen as the new Lil Jon, Alanis Morissette and Dave Coulie, ProTools and the L1 Ultramaximizer, Dave Cockrum (not Cockring), Superpowers: A Novel by David J Schwartz, Final Crisis #2, She-Hulk #30 and #31, GG Studio, Green Arrow / Black Canary #11, Last Defenders #6, Marvel Adventures Hulk #14, Charlie Barlett, and too much more to remember.

 
 AudioShocker #43 [69:47m]: Play Now | Download

Impromptu Letter Writing Campaign: Make Mini Marvels Monthly

Elephant SteveYou know those cartoon strips by Chris Giarrusso that sit in the back of Marvel Adventures comics? They’re awesome. And it’s not fair that we only get one strip a month.

Mini Marvels should be a monthly comic book! Email mondomarvel@marvel.com and tell them. I already wrote the letter for you (see below). Just copy it into your email client and hit send! And if you don’t want to send the email for me, at least do it for Elephant Steve.

——————————————–

Make Mini Marvels Monthly!!!!

The Mini Marvels Anthology was great and all, but I’ve already read all of those strips before! The Mini Marvels cartoons by Chris G are far too great to be relegated to the back of Marvel Adventures comics (which, by the way, are some of the best comic books on the market right now - don’t let anyone tell you otherwise!!!) with only one new strip a month. That’s just not enough! That’s why I need you to make Mini Marvels a monthly series!!!! Or at least a quarterly collection of new material!!!!! How many exclamation points do I have to use to let you know how serious I am???!!!!!! MAKE MINI MARVELS MONTHLY!!!

Check Out the New Phantom of the Attic Comics in Pittsburgh

From the White Hen Pantry in Geneva, Illinois where I bought Age of Apocalypse: Omega to San Francisco’s Isotope “the comic book lounge” where owner James Sime ran down the bus so I could get back to my hotel, I’ve bought comic books all across the United States.

Without a doubt, the best of the best is the Phantom of the Attic (PotA) comics division on S Craig St in Pittsburgh, Pennsylvania. Save for a few missing summers and a few months spent in Brooklyn, I’ve been shopping at PotA for going on eight years now and the experience only gets better with time.

Phantom of the Attic's new front door

PotA used to sit in a cramped second-floor space where they had it all… but it was small. Now they’ve moved across the street into a gorgeous loft with tons of room and even more comics. If PotA’s previous space was a like a delicious Dagwood sandwich of comic book merchandise, then the new PotA is a bountiful smorgasbord of comics, graphic novels, manga, toys, and more.

Wayne Wise at the Phantom counter

Wayne Wise (seen above) is a longtime PotA employee and my comic book mentor. He let me in on a few interesting facts about the relocated shop. I was surprised to learn that all the racks are custom made. The design allows for individual clear plastic shelves to be interchanged every Wednesday as the new books hit:

Phantom's comic book racks

Back issues are now stored inside large custom drawers that have been balanced to accommodate the cumbersome weight of two long boxes:

Phantom's back issue drawers

Continue reading ‘Check Out the New Phantom of the Attic Comics in Pittsburgh’

Podcast Episode 042

An interview with Jay Faerber, the comic book writer and creator of Noble Causes, Dynamo 5, Gemini, Urban Myths, and more. We talk about the creation of his Top Cow Pilot Season offering, Urban Myths, as well as the fate of the characters in his ongoing Dynamo 5 series. Jay also reflects on the work of artistic co-creators Mahmud A Asrar, Jorge Molina, and more in this excellent AudioShocker exclusive.

 
 AudioShocker #42 [32:00m]: Play Now | Download

ComicShocker - Racist Imagery in Comics

[Note: If you've come here looking for the Comic Book Shipping List feature, it's been discontinued. In its place, we'll debut a new ongoing feature next Wednesday called Slang of the Week. In the meantime, enjoy this preachy ComicShocker.]

Late last week, I was bothered by this blog post featuring the art of Winsor McCay that included one of his “jungle imps.” Mostly, I was disturbed that the positive post casually included such a painfully offensive cartoon without acknowledging its more bigoted content.

Am I overreacting (see my comment on the post for details)? Personally, I still find racist imagery in comics ugly and ignorant even if the comics were created during a time when racism was more socially acceptable in America.

In the case of Winsor McCay, the guy was a talented artist but one hell of a practitioner in racist caricatures. This message board post I found tries to explain away the notion that McCay was a racist (or at least a practitioner of racist imagery) by presenting the concept of “presentism.” To me, presentism is a fancy way of saying, “oh, well, it was okay to publish these racist Winsor McCay images everywhere back when they were created so it’s okay to wave them around now.” I find the notion to be more apologetic than objectively critical.

The whole Memin Penguin thing is a more recent (and possibly relevant) example of racist imagery in comics. Those Mexican comics were not received well in a Texas Wal-Mart, where American shoppers found the Memin character and his cartoon to be deplorably racist. Even though many Mexican-Americans tried to explain Memin’s status in Mexico as a beloved character, it didn’t lessen his visually offensive impact.

With all that said, I’m of the mind that: 1) the racist imagery of Winsor McCay shouldn’t be excused on the grounds that it was created a century ago, and 2) there’s nothing wrong with celebrating what McCay did well, but applauding his work while displaying his racist caricatures is simply tasteless. If you do insist on showing his art that features racist imagery, at least note that the guy drew some bigoted images (whether they were socially acceptable at the time or not).

ComicShocker - Quantity and Motion in Comics

Just some random thoughts to throw at you today. First off, I’ve been holding onto this idea for awhile now: in my opinion, there is a huge misconception about what constitutes for quantity when reading comic books. Simply put, page count does not equal quantity.

I say this in reference to this post from Comics Should Be Good! from a few weeks ago. My example? Sitting down to read a recent trade paperback from Ed Brubaker’s Captain America can take as long as reading two of the more wordy issues of Chris Claremont’s Uncanny X-Men. I’m not making a value judgment, just simply an observation.

The work of some comics creators reads abnormally fast while others pack their pages with so many ideas that a single issue can take 30 minutes to read if you’re really following everything. I think a lot of the Essential collections from Marvel Comics therefore do count as a ton of comics, while I think that some of today’s five to six issue collections should be sold for much less money due to the fact that the bang for the buck just isn’t the same.

I know it doesn’t cost more to see a movie that lasts 3 hours instead of 1.5. But comics are different. You control the time of the reading experience. And of course, you can prolong that time of the experience as long as you desire. But there’s only so long you can comfortably prolong the reading experience if the material is simply not there.

Speaking of the passage of time in relation to comics, I wanted to throw out a few ideas on Warner Premiere’s Motion Comics. When the Watchmen motion comic debuted and I watched it, it got me thinking: what’s the difference between reading a comic and watching a cartoon?

At first, I thought, “obviously, there’s a huge difference — one moves and the other is static.” But that’s not completely true. A lot of animation will hold on a single frame and provide voiceover and music. That’s still animation. So is it the combination of sound and image? No, that’s still not it. You can read a comic and listen to music at the same time but that doesn‘t make it animated.

In my opinion, the primary difference between reading a comic and watching a cartoon is: when you read a comic, YOU control the passage of real time. You can linger on one panel for an entire minute and then resume a faster reading pace without interrupting the story. However, when you pause a cartoon, the story is just that — paused. The viewing experience is interrupted because a cartoon takes place over a specific amount of time. That controlled duration of time is part of the essential definition of animation.

And visa versa. Part of the essential definition of a comic is that passage of time in relation to experience is something left open by the creators. Basically, what I’m trying to say is that is that Warner Premiere’s Watchmen motion comic is a neat idea, but it’s still just a shitty cartoon with weak animation and some word balloons tossed in.

Comic Book Shipping List July 30 2008: Cougar-MILFs, DEA Agents, Zombie Unicorns

Shipping This Week: JULY 30, 2008

DARK HORSE COMICS

DOMO SCULPTED MAGNET

Nick: Alright! We’re getting started early this week. What a goofy title, even for a statue / magnet (if that’s what this thing even is). Excellent.

FRAZETTA EGYPTIAN QUEEN STATUE
JOURNAL TOKIDOKI KAITEN SUSHI
JUDGE DREDD DREDD VS DEATH STATUE
JUDGE DREDD DREDD VS DEATH STATUE

Nick: Hmmmm… you got me on this one. They cost the same. They have the same name. What’s the difference?

Neal: I seriously hope Judge Death is in this issue [Editors Note- I think Neal means statue, not issue. - Nick]. That dude is brutal.

PIGEONS FROM HELL #4 (OF 4)

Neal: More Hellfoul!

ROBOTS & DONUTS TP

Nick: I hope there’s a second volume of this title with the name “A.F. - ARTIFICIAL FLAVORING”

STAR WARS REBELLION #15 VECTOR PART 7 (OF 12)
STYLE SCHOOL TP VOL 02

Neal: Christian Siriano got a comic book?

UNCLE CREEPY STATUE

Nick: The eternal creepy uncle, now in statue form. Keep this around the house if you have trouble remembering to wear clothes (or if you just like the security of knowing that somehow, somewhere somebody’s creepy uncle is creeping them out right NOW).

Neal: This is great.

Continue reading ‘Comic Book Shipping List July 30 2008: Cougar-MILFs, DEA Agents, Zombie Unicorns’