Tag Archive for 'comic books'Page 2 of 12

Sneaking Into Comics 007 - A Failed Intern Gives Advice on How to Score an Internship

If you know me, this might be hard to believe: I am currently on an advisory board for a student internship center. That’s ironic because I’ve only been an intern once (with Man Made Music, a small music production company) and it was long after I finished college. Therefore, I am no expert on how to be a successful intern.

However, I am an expert on how to be a failed intern. I’ve applied with both DC Comics and Marvel Comics (numerous times). I’ve let great connections at publishing companies like Random House and Ingram slip through my fingers. And I even botched a shot with Nancy Cartwright, the voice of Bart Simpson.

Both of the Big Two comic book publishers posted their internship opportunities much later that I expected. I thought they would be locking down interns in March or April. Not the case. DC and Marvel waited until late May / early June. And I would have been a great candidate… if only I had waited for their postings and not given up earlier.

I think the best way to get a resume to the right Big Two people is to pass one along through an editor. As a college grad, I managed to have some light communication with editorial. I once sent Andy Schmidt a resume back when he was with Marvel, and I think that would have been a great “in” had I been eligible to be an intern (you have to be a student).

As for publishing companies, my dad actually used to be the head of Ingram’s digital printing division. Think of the great connections I could have made there as an intern. Instead, I decided it would be better to work as a YMCA summer camp counselor. That was one of my worst ideas ever. Later, a connection of mine from Ingram became the President of Random House. And what did I do? I blew that connection too! I called him up once and I failed to sell myself whatsoever. Another week, another blown opportunity.

The biggest and best shot I ever botched was a chance to intern for Nancy Cartwright. She works out in Hollywood, so naturally the internship would have been spent in Los Angeles. She needed someone who could navigate the city and get around easily. I should have said, “Okay, Nancy. I don’t know Los Angeles that well… yet. But give me a month to research the city and I’ll know it like the back of my hand!” Instead, I rushed off the phone and promptly lost her number.

So here’s what I learned from all this: 1) Be patient. If the opportunity doesn’t come along right away, stay vigilant. I called Marvel Comics every week for four months, but I never got a response because the internships weren’t being offered yet. By the time they were available, I had stopped calling. 2) Be enthusiastic. Prove you’re a necessity by being assertive and resourceful. 3) Fucking intern ANYWHERE!!! If I had interned at any one of these places, I would have been well on my way. Instead, I spent my summers earning minimum wage while working sucky, depressing jobs.

And that’s just another reason why I’m going to have to sneak into the comic book industry if I ever want to make it in.

Podcast Episode 052 - Live from Phantom of the Attic Comics

Tom Scioli, Pat Lewis, Ed Piskor, Jason Lex, Jim Rugg, and Chris Moeller talk about their published comics and upcoming projects. Phantom of the Attic customers weigh in what’s hot in comic books while they reveal shocking personal moments. Technical difficulties (a.k.a. I forgot to hit record) meant we missed some choice moments (sorry Mel, I wanted people to know about dirty balloon animals for adults too!).

 
 AudioShocker #52 [72:32m]: Play Now | Download

The Top 9 Things That May Have Gone Wrong with Last Defenders - Part One

Reflecting back on this recent miniseries from Marvel Comics, I’m fascinated by its underwhelming promotion and reception. Last Defenders was a smart, fun, and kinetic story that followed Nighthawk thru an introspective journey into modern superheroics. Kyle Richmond asked a lot of existential questions about his place in the universe and received a lot of answers in the form of temporal tampering via Yandroth, a time traveling superbaddie with a big chip on his quantum shoulder.

So what went wrong? I’m no expert, but I am an asshole. That’s why I’m only giving you reason nine thru five this week.

9. Was the art accessible enough? I found the story both brilliant and confusing. Jim Muniz, Cam Smith, and Antonio Fabela brought this journey to life in a sort of Ed McGuinness meets Duncan Rouleau way. The art was a big selling point for me, mostly because the stylized visuals took what could have been a painfully old school story and made it impossibly fresh. But was the art too stylized for this book’s demographic?

8. Was Last Defenders TOO old school? To say that this could have been “painfully old-school” is not a knock to Joe Casey or Keith Giffen. They both did a great job here, with Giffen co-writing the first few issues and Casey carrying the rest. The story pulls from the Defenders back catalog of adventures in an obsessive way that’s just as disorienting as it is fun. This comic was like a thesis statement on Defenders history, sprinkled with non-team team book irony.

Continue reading ‘The Top 9 Things That May Have Gone Wrong with Last Defenders - Part One’

Sneaking Into Comics 006 - Next Time I Interview for MAD Magazine Front Desk Receptionist, I’m Bringing a Funny Hat

Recently, I told you how a bunch of inappropriate emails and a voicemail from Tom DeFalco led me to an opportunity with Cracked.com. If you read those columns, you may remember that I was on the phone with DC Comics when I missed Tom’s phone call. To be exact, I was speaking with Warner Bros human resources to set up an interview for the job of MAD Magazine front desk receptionist.

To say this was my most demeaning DC Comics interview would be an overstatement. My first interview experience with Joey Cavalieri and Joan Hilty was far more soul crushing. Not because of my interviewers — they were great. Rather, the interview made me realize how savagely unqualified I was for the job.

Though not as bad as my first time at DC Comics, this interview with MAD was still pretty fucking bad. As if to prove that I learned nothing from my earlier shot at assistant editorial, I failed to research my MAD Magazine interviewer. Only being a casual reader of the magazine, I failed to even research MAD’s publication history.

Continue reading ‘Sneaking Into Comics 006 - Next Time I Interview for MAD Magazine Front Desk Receptionist, I’m Bringing a Funny Hat’

Podcast Episode 051

Chucky, Katherine Heigl, Forgetting Sarah Marshall, Russell Brand, Unbreakable, live sampling, cod pieces, chartreuse, iPod nanos, Nintendo, sequels, Watchmen, Batman TV show, Wanted, Mark Millar, and more.

 
 AudioShocker #51 [48:37m]: Play Now | Download

Sneaking Into Comics 005 - Tom DeFalco + Inappropriate Emails = Cracked.com

I was on the phone with the human resources department at DC Comics when I missed a call from Tom DeFalco.

It was early 2005. I had been emailing humormag@yahoo.com for a couple weeks after finding a vague posting on Monster.com calling for humor submissions. I suggest you check out those emails (a.k.a. my wildly inappropriate attempts at employment), and then come back and finish this story.

In some sort of twisted way that I’ll never understand, the emails worked. The voicemail Tom left started something like this: “Nick, this is Tom DeFalco. How the hell am I supposed to hire you if you don’t pick up your phone?”

Incase you don’t know or need a quick refresher, Tom DeFalco is a seasoned comic book creator who served as Marvel Comics’ Editor-in-Chief during the wildly successful years of 1987-1994. Tom currently writes Amazing Spider-Girl and other MC2 comics.

When I started sending my bizarre emails, I had no idea I had no idea that I’d be getting a personal call from a living comics legend. All I had to go on was an incredibly cryptic job posting for a new magazine.

Continue reading ‘Sneaking Into Comics 005 - Tom DeFalco + Inappropriate Emails = Cracked.com’

Podcast Episode 050

The Street Fighter movie, Super Mario Bros movie, Wes Anderson, Outsourced, Iron Man on DVD, Rampaging Hulk magazine, and reviews of new albums by TI, Skillz, and Solange Knowles are how we celebrate the big five-oh. Then, after the end theme, a special update as we learn about Street Fighter - The Legend of Chun Li.

 
 AudioShocker #50 [82:25m]: Play Now | Download

The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part One

A bunch of comic book people are like, “OH NO! Comic books are going to die in five years because we’re not kissing the general public in the ass enough! Our business plan is all wrong! Creators are mismanaging their careers! And Superman isn’t accessible to five year olds anymore!!!”

You know what? Shut up. That’s right. I said it. Just shut the fuck up.

Comics aren’t going to “die” and they certainly don’t need to be “saved.” Here are the top 9 reasons why:

9. Comics are a medium of expression rooted in the most basic form of visual storytelling short of acting — a picture and some words. How the hell can you “save” that and how could it ever “die”?

8. If you’re worried about the modern comic book publishing industry dying, well then that’s a whole other thing. But I don’t think it’s going to happen anytime soon when you have some of the world’s most lucrative licensed characters coming out of a long legacy of comic book publishing.

7. While superheroes are bound to fall out of favor in Hollywood in a couple of years, actual interest in physical comics is going up. Trust me, I know. People used to ask me if the movies were anything like the stories. Now they ask me where they can go to buy the comics. Hell, even MTV and the LA Times now have blogs that address comic book news on a daily basis. That’s only going to boost interest.

6. This shit is cyclical. Sales of comics will dip and they will rise. They will do that, over and over, until the day humans no longer view printed media and digital projection screens connected to their information boxes.

At some point in the recent past this column became a two-parter thing. Totally defeats the purpose of a having top 9, right? Well that’s just the kind of mindfuck arseholeness I’m all about so deal with it!!! The final five reasons why comics don’t need to be saved will be here in only seven short days, and I promise they are way more offensive and interesting these these first four reasons.

Next: The Top 9 Reasons Why Comics Don’t Need to Be Saved - Part Two!

Why the Top 9? Because 10 is too many and 9 is better. 3 X 3 = Awesome. Now that’s what I call math.

Sneaking Into Comics 004 - A String of Inappropriate Emails I Sent to Tom DeFalco in 2005

The real meat of this story — which consists of comic book legend Tom DeFalco, Cracked.com, MAD Magazine, and poor judgment — will be the feature of next week’s Sneaking Into Comics. As a prologue to that highly ironic tale, I would like to provide a set of emails I sent to humormag@yahoo.com (an email address that, unbeknownst to me, was actually being checked by Tom DeFalco) in March of 2005:

from: nickmarino@gmail.com
to: humormag@yahoo.com
date: Thu, Mar 3, 2005 at 10:39 PM
subject: Humor Mag - hire me you bitches

Hey -

I found your info on monster.com. I am all about this Humor Mag thing. I kid you not. This what I do. I’ll send along my resume, but to really get a feel for why I am the new Renaissance man of comedy you need to see my videos, my music, read my articles, and see my cartoons. I could help getting multimedia for the website going, and I do A LOT of comedy music work (and my production skills are mint). I really would like to learn more about this, and I’m positive you would like to learn more about me.

Thanks, Nick

from: nickmarino@gmail.com
to: humormag@yahoo.com
date: Fri, Mar 4, 2005 at 12:30 PM
subject: Humor Mag - you still haven’t hired me

Hey “Humor Mag” -

Listen, I’m emailing because you still haven’t hired me. You should give me a mail address so I can send you some writing, music, video, and cartoon samples. Trust me, you really want all these. Hook me up. Then hire me.

Nick

Continue reading ‘Sneaking Into Comics 004 - A String of Inappropriate Emails I Sent to Tom DeFalco in 2005′

Sneaking Into Comics 003 - My DC Comics Interview for Assistant Editor to Joey Cavalieri and Joan Hilty

It was the summer of 2004. I was a recent college grad constantly searching for work. I found a job listing for “Assistant Editor at DC Comics” on the Warner Bros employment website and I somehow managed to get my resume over to the right human resources people at Time Warner.

I’m not exactly sure who helped push my status along to help me land the interview. It could have been the DC editor that I had been communicating with via email. It could have been my dad’s friend who worked for Time Warner and passed along my resume. It could have even been Neal (of the AudioShocker), who interviewed with Warner Bros around that time and possibly mentioned my name to HR.

I was up for the position of Assistant Editor to Joey Cavalieri and Joan Hilty, both in working in the DCU proper at the time (Joan was also running the Johnny DC imprint). The physical application process with Warner Bros was daunting, akin to taking a standardized test. I had to dig so far back into my own personal history that I actually couldn’t remember some of the addresses, phone numbers, and names that they wanted to see.

Afterwards, Warner Bros HR sent me over to the DC Comics offices, part of a large building nestled into the upper edge of Times Square in New York City. I can’t speak for how they look nowadays, but the interior hallways were covered in giant paintings of DCU heroes with huge smiles on their faces. It was both awesome and unsettling at the same time.

Continue reading ‘Sneaking Into Comics 003 - My DC Comics Interview for Assistant Editor to Joey Cavalieri and Joan Hilty’