Tag Archive for 'Chris Bachalo'

The X-Men Reborn...

X-Men Forever #1YES! YES, BABY, YES! This is what I've been missing!!!

I grew up on Chris Claremont's writing. I've always loved his technique (honestly, I think the drama and the dense prose of his work is part of what makes it so much fun). He's distilled his infamous Uncanny X-Men style down to its most engaging elements in X-Men Forever #1. If you've loved Claremont's work in the past, there's an excellent chance that you'll love this first issue.

Some out there have been heavily hating on Claremont for the past decade. Personally, I've loved some of his most recent writing. Though New Exiles wasn't my bag, I thought his latest run on Uncanny X-Men was just starting to pop with brilliance when he was shuffled off of the title (also, I think he suffered a heart attack around that time). While I found his collaboration with Alan Davis and Oliver Coipel to be decent, I found his work with Chris Bachalo and Billy Tan to be wonderful. Grey's End was a chilling few issues that used a fascinating interpretation of the passage of time to tell a riveting tale. As for other recent work, I was also moved by CC's issue of Excalibur that explored Nocturne's frustration with her paralysis.

And while those comics were near and dear to my inner Claremont fan, they weren't nearly as indulgent as X-Men Forever #1. When I say indulgent, I don't mean it in a bad way. I mean indulgent like rich ice cream or expensive chocolate - indulgent like a delicious desert. Working with Tom Grummet, who's been attached to Claremont for a couple of years now, seems to only deepen the indulgence. I've long been a fan of Grummet's work and this issue may be some of his most enjoyable pencils to date.

All in all, this feels like a rebirth of the X-Men to me. Maybe I'm just too old school to properly move on from the glory days of John Byrne, Paul Smith, and John Romita, Jr. But I don't care. X-Men Forever just feels right to me. Though I've vowed to shy away from as many $3.99 single issues as possible, I can't deny myself Forever (get it?). I await issue #2 with bated breath.

Armor Wars II Was...

... an AMAZING read, if only for John Romita, Jr.'s artwork. He's really in top form from Iron Man #258-266.

But to give JRjr all the credit would be unfair to the other great artists on the book. Bob Wiack inked everything, and from what I can tell, he's the best inker JRjr ever paired with. Well, that's my opinion, at least.

And John Byrne was great, too. The guy wrote the damn thing and it's a terrific story. Did Byrne write this story arc in Marvel-style or full script? Unfortunately, I'm not too familiar with the behind-the-scenes stuff that went on with Armor Wars II, so I have no idea what the answer is to that question.

The reason why I think this may have been a Marvel-style piece is because JRjr's name is listed as the first credit in the book throughout the story arc. Off the top of my head, I can't think of any other serialized superhero book where that's been done... unless the penciler was also the co-plotter. And with Marvel-style, the penciler becomes the de facto co-plotter.

(Speaking of "de facto," that makes me think of Tom DeFalco. See this blog post for more.)

BUT back to Armor Wars II and on with my praise of the artists involved. Paul Becton's colors were gorgeous. They had a slightly sloppy look here and there, which was actually an wonderful touch on top of JRjr's occasionally sketchy work. Panels sans backgrounds became especially vibrant when Becton used a solid splash of bright color to fill up the blank space.

Last but not least is letterer Michael Heisler. Now I'm about 85% sure that Chris Eliopoulos did the final issue of Armor Wars II, but Heisler did the rest. Oddly, the issue with the strongest letters is missing a letterer credit (is it #264 or #265... maybe #263?). The letters in Armor Wars II are a bit more compact than most comics. This isn't an overly wordy story, but the dialogue does get involved at times. Heisler did an expert job at making the letters interesting but never intrusive.

If you could read only one issue of Armor Wars II, read Iron Man #261. That comic book absolutely blew my mind. It's told as two separated stories that complement each other. The stories never intersect, yet nearly every page is split right down the middle, with Iron Man up top and the Mandarin below. I would bet big money that this particular issue was a huge inspiration on a young Chris Bachalo.

It's important to mention that the Armor Wars II label is a bit of a misnomer. There isn't too much in the way of armored hijinks until the final two issues. Not that Tony's armor isn't important throughout the whole story - it's just not the focal point necessarily.

In the first Armor Wars, you'll notice that the story arc is actually called "Stark Wars" in the original issues. My understanding is that it was later changed to "Armor Wars" in collected editions and other reprints. Oddly enough, Stark Wars or even Stark Wars II would have been a far more accurate name for Armor Wars II.

But all in all, I can't complain. Armor Wars II is wonderfully paced and extremely satisfying from cover to cover. Just know that the end is a bit anticlimactic. Still, despite the rapid escalation and deflation of the action in the final few pages, I think the ending is interesting and very natural. It just needs a "FIN" or "END" caption in the last panel.

P.S. Oh, and JRjr definitely draws the best Rhodey ever. Armor Wars II just confirmed my feelings I had after seeing his version of James Rhodes in Iron Man #256.

Venom (Shows Some Leg) Hyper Combo Wallpaper!

Venom shows some leg

Some sublime Venom courtesy Chris Bachalo

DOWNLOAD WALLPAPER :: 1280 X 1024 :: 1440 X 900 :: 1600 X 1200

Venom is back for the second part of his double-shot wallpaper series! Marvel vs. Capcom's favorite black goop bad boy is what it's all about!

Sad to say, the Venom in this Chris Bachalo illustration is NOT the Eddie Brock Venom you know and love. It's Mac Gargan, the former Scorpion, from the cover of Dark Reign: The Sinister Spider-Man #2. But if you squint your eyes and use your imagination then you'll never know the difference!

Thanks to Comic Box for the image. I'm there every month because they post the best hi-res comic book solicitations on the Internet. Be back here next Monday for a brand new Hyper Combo Wallpaper!

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The Top 9 Greatest X-Men Pencilers of All Time

9. Rick Leonardi

8. Chris Bachalo

7. John Romita, Jr.

Continue reading 'The Top 9 Greatest X-Men Pencilers of All Time'

AudioShocker Podcast #56 - Beer Goggles Are Dangerous

Quantum of Solace would be better on valium, James Bond seriously needs some gadgets, the Bond girls are boring, All I Want is pathetic but it has typewriters, even T-Pain's top hat can't ruin the Ludacris video "One More Drink," the new Star Trek trailer makes Neal excited, and he wraps up his half with a review of a WSJ review of Slumdog Millionaire.

Then Nick takes over to discuss Uncanny X-Men #165-#175, the "From the Ashes" run by Chris Claremont and Paul Smith. Nick dissects their work, identifying the artistic nuances that make Smith's pencils so incredible while noting how Claremont introduced so many classic X-Men elements in such a short space of time.