Monthly Archive for March, 2011Page 2 of 3

A Podcast with Ross and Nick #93 - Savage Adaptation

A Podcast with Ross and Nick

EXTREME #25! X-Men ( Season 2, Episode 25 ): Is He-Man is a Ka-Zar ripoff? ENTER THE SAVAGE LAND!!! How does it work? How does it fit into the rest of the Marvel Universe? SCREEN CAPS! And Nick gets distracted by Gilbert Gottfried.

Then... our new format debuts! Inspired by Sequential Underground, we're talking about comics creation, and our first topic is: Comics adaptations and other media we'd like to see our comics adapted into!!!

QRD interviews (Ross and Nick), Wet Moon TV dramas, Nick's big list of adaptations he'd like to see (Time Log: The Play), and Ross talks about the Shadoweyes short film currently in pre-production.

Does the creator own derivatives of the derivative? Bill Watterson's licensing fears. Video game adaptations!!! (Wet Moon point and click game, Mountain Girl RPG, etc.) And what media do we NOT want to see our comics adapted into??? (Super Haters Clue vs Wet Moon Clue)

NEXT: X-Men ( Season 2, Episode 26 ) and more comics creation conversation.

NOTE: I'm not gonna embed the X-Men episodes in the podcast posts anymore. I'll still link to the current and next episodes like I always do, but the embeds are a pain in the ass, not to mention an unnecessarily heavy amount of code.

AudioShocker Podcast #169 - Webcomics Standards

AudioShocker Podcast

Neal went to DC, Nick talks about the debut of his comic cards... and then Neal and Nick debate a mega super important question:

Should webcomics and digital comics have size and format standards? Neal (for the most) says YES! and Nick (for the most part) says NO!

Neal thinks a system for formatting would be ideal, making his webcomics reading experience more universal and multi-format compatible. Nick believes that the rejection of a universal system / format is an integral part of the modern webcomics movement (though a unified system may be on the horizon).

Then the guys get real into the nitty gritty about the wording used -- comics, cartoons, motion comics, video comics, cartooning, animation, etc. -- and the flexible usage of those words makes it tough to discuss comics sometimes.

After the end theme, the guys talk about some Pittsburgh related media (shoutout to Barry Rabkin).

Project Basement Vacation

I'm putting Project Basement on hiatus for a couple of weeks. I'm busy coloring the Time Log one-shot, getting my digital comic cards content ready, making sure my new printed stuff (like The New Time Log, which I'll blog about tomorrow) is good to go, and doing inventory previous to next weekend's SPACE show in Columbus.

In the meantime, I'll build up a small cache of PB art. Come check me out at SPACE if you're in Ohio, and also make sure to come hang at Pittsburgh's Carnegie Library in Oakland on March 21st, where I'll be giving a talk at 6:30 PM about my comics and my creation process along with my fellow Sequential Underground podcaster and Time Log artist, Shawn Atkins.

Click here to visit the AudioShocker Store!

Time Log #30

On their way to save Pete, Shawn and Nick stopped in Scranton again. And now, after a pass through the Time Vortex, they're ready to arrive at their next destination.

Time Log #30

PREVIOUS NOW NEXT
Time Log #29 Time Log #30
[ZOOM]
Time Log #31
New to Time Log? Start from the beginning with #0!

Ever wonder what it looks like to exit the Time Vortex? Wonder no more!!!

Can anyone guess the what and when of this next destination???

A Podcast with Ross and Nick #92 - Mojo Meets Marathong

A Podcast with Ross and Nick

Officially announcing Super Haters Guest Week featuring Ross Campbell! No, he's not drawing it. SORRY! But he is writing it and THINGS WILL NEVER BE THE SAME!!! Ross's guest week starts next Monday, March 14th.

Then it's EXTREME #24! X-Men ( Season 2, Episode 24 ): Screen caps. This Mojo episode is the worst one yet!!! The X-Men never meet Longshot. And the Psylocke and Punisher cameos are a waste.

The James Hong Marathong concludes with a mega review extravaganza. Ross doesn't like Balls of Fury as much as Nick and Justique. Same goes for Kung Fu Panda. Shanghai Kiss was strange but good... and so was James. But even James couldn't lift up the sinking ship that is How to Make Love to a Woman.

NEXT: X-Men ( Season 2, Episode 25 ) and new direction for the conversation.

AudioShocker Podcast #168 - Boycott Neal

AudioShocker Podcast

Justique plays secretary as the boys... well... do what they do best. Neal had a greasy burger. Nick likes "The Gruffalo" and Justique likes "Madagascar" from the 2011 Oscar Nominated Animated Shorts, while the winner "The Lost Thing" is lost on them. Nick talks about The Larry Sanders Show. Neal remembers Chris Kattan. Justique is scared of Brenden Frasier's meaty face lift... and she thought Furry Vengeance was the worst movie ever made... until she saw Single Black Female. that is!

AND then after the end theme we present a special in-depth rant about Boycott-Thor.com... it sucks!!! Justique fears she will catch the stupidity, Nick wonders if it's a joke, and Neal looks up the WHOIS account for the site (Kyle Rogers of Patriotic-Flags.com).

Good Websites Are Never Under Construction

Remember when 'This Website is under construction, please come back real soon! Email our Webmaster here" followed by a crude .gif was a common phenomenon all over the Internet? Well, that era is over. Or at least it should be. There is no excuse for a major brand's website to be "Under Construction" today.

This is no longer an acceptable thing

I recently started drinking Ketel One Vodka. Why? Because it makes an exceptionally smooth Vodka Soda, and it is cheaper than Grey Goose. (come on people, C.R.E.A.M) Anyway, as of today, Ketel One's website is under construction, and this is wholly unacceptable. How does a major brand, especially one associated with liquor/spirits giant Diageo, get away with such an egregious marketing violation? Let's do some research.

A quick Whois query shows that the domain name has been registered since 1995 (actually, surprising forward looking given the time), but the domain is curiously set to expire in November of this year - pending intervention by the parent/registrar. Basically, this means that Ketel One has had at least 16 years to get it's shit together, and at least 13 years before the Diageo partnership.

Next, the WayBack Machine will prove that Ketel One has had a functional website since 1996. It had a background texture, grainy images, incorporated several links, and got to the point quite quickly: Ketel One is...the smoothest vodka imaginable. This website ran through 1997. From 1998-2000, things got a little more better, fixed width layout, more graphic navigation, martini recipes -- even a 'free video'.  2000-2008 brought various version of a flash based/intro-ed website. Post 2008, the WayBack Machine has no data, but the copyright/last update date on the current website is from 2009.

Ad Age reports that Grey Worldwide took over the Ketel One account back in 2009, and launched the 'Gentlemen, this is vodka" campaign back in Q2 of that same year. So then, perhaps there was a time lag associated with the changeover. But wait, the website copyright hasn't changed since 2009, and the copy on the website reflects the current campaign. I am going to hypothesize that Grey has been in control of the site since they got the account. Does that mean the site has been under construction for almost two years? [Since I don't have the WayBack Machine to prove my case for 2009-2011, I'm appealing to all of you for the facts]

If Grey were my agency , and they tried to sell me on a placeholder website for any longer than a month, I would have fired them on the spot [nothing personal against Grey!]. I acknowledge that according to the Diageo website, Ketel One is not a 'Global Priority Brand' -- but still, the marginal effort to create a decent website (flash based or not) is quite low. How can you afford not to have something up to date at all times? With social/Internet connected shopping becoming a reality, if you are going to put your URL on your bottle, make sure it leads to something useful. There is no value in investing in QR/mobile/WAP/apps/whatever if you don't have the content to back it up.

And that's the whole point isn't it? Either you have a website or you don't -- and with the abundance of social media outlets and web savvy professionals - is there really an excuse to not have an up to date web presence? Even a basic Twitter/Wikipedia/FB strategy would be sufficient to keep me engaged.  There is no currently official Twitter page, and Ketel's Wikipedia game is pretty sparse. The site does direct users to a Facebook fan page, but is not making use of Facebook's integrated features or even the Like button.

Now, I've seen the print/tv/outdoor ads. I totally dig the "Gentlemen, this is vodka" campaign, but how on Earth are you calling yourself marketers with such a newbie move? Keep your old website up until the new one is ready --- or don't introduce the new campaign until all of the collateral is ready! Worried about scaring people off? If you have been collecting emails and gaining fb/twitter fans, you have plenty of ways (don't write off RSS either!) to inform customers about your new site and keep them engaged.

My hastily drawn conclusion: Diageo/Ketel One, call up your account exec at Grey, or any one of the myriad web shops out there and get a real website.

Click here to visit the AudioShocker Store!

Sequential Underground #11 - Indie Crossovers and Universe Building

Sequential Underground

The podcast by indie comics creators for indie comics creators goes universal!

Dan, Shawn, and Nick discuss universe building and crossing over indie comics characters. Could Blue Wraith handle a crossover? Did Shawn put himself in a pickle by crossing-over his own comics? Is Super Haters more crossover-friendly because it's a humor comic?

Then we talk about existing indie comics that crossed over in the past including Dynamo 5, Goon, Savage Dragon, and TMNT.

And we close things out by talking about our dream crossovers for our own indie comics! Also, mark your damn calendars for March 21st and THIS.

Project Basement - BRING by Byron Winton

Project Basement gets frisky with:

BRING by Byron Winton

BRING by Byron Winton

"Powers and Costumes" is our PB v3 theme, and last week's entry was definitely more costume focused. -- but this week we're all about the powers with the distinguished Mr. Winton!!! In his own words:

Although it's not considered a traditional super power, it's a power none the less. The ability to make a printed image become real. This was based on a Twilight Zone or Outer Limits story that had stuck with me since I was in high school. In it, the person with this powerful ability was a young child. The drawback to a limitless gift was that he couldn't bring forth anything organic. Oh, he tried, but it ended tragically. As an artist, I think it would be wicked awesome yet frighteningly scary if such a thing were possible. There's no short-cuts in this business. If I'm lucky, Hollywood will be the only one to make my creations that much more lifelike.

NEXT: I'm not gonna lie to you... I DON'T KNOW! We don't have much art yet for v3, so next week could be you!!!

Culturology #86 - Excuses, Excuses

I know I've been erratic with my Culturologying for the past few months, but by way of an excuse, I present a link to the thing which is my full-time job: O, Miami. It's a brand-new month-long county-wide poetry festival in Miami-Dade County, inaugurating this very April. Please check back to that site often, as we'll be updating information on it from this point forward up through and during the run of the festival.

And maybe, just maybe, I'll have time for some Culturological bulletins here and there in the meantime.