Monthly Archive for September, 2010Page 2 of 3

PodCamp Pittsburgh and an Impromptu Podcast Crossover

Happy Friday everybody. While you're enjoying your weekends off from whatever it is that you do during the week (not like I really wanna know anyway), Justique and I will be churning and learning at PodCamp Pittsburgh.

If you're an AudioShocker listener and you're gonna be at the un-conference too, make sure to introduce yourself! We'll give a shoutout to all the listeners we meet on next Tuesday's AudioShocker Podcast #149.

AND... unrelated but rather conveniently timed, I guested on the latest episode of the Comic Book Pitt:

GO LISTEN NOW! Well, go listen if you like conversation about comic books, that is. In fact, go check out all the episodes of the Comic Book Pitt.

Time Log #6

Richard Nixon has been revealed as the tyrannical ruler of this reality, and FuturePete sits the crew down to explain how he got mixed up in the mess:

Time Log #6

PREVIOUS NOW NEXT
Time Log #5 Time Log #6
[ZOOM]
Time Log #7
New to Time Log? Start from the beginning with #0!

S'MORES TIME!!!!!!!!!! Mmmm... marshmallow and Time Log taste delicious.

A Podcast with Ross and Justique #65 - Then She Found Mecast

Talking about the potential Marvel vs. Capcom 3 lineup. Maybe they should make Image vs. Capcom instead! Then it's time for Then She Found Me, Helen Hunt's directorial debut. Afterwards, Ross discusses his impending adoption plans. Machete rules. The Last Airbender sucks. AND... the award-winning Rambo 3.5 (read it for free) by Jim Rugg gets discussed. Next: Police Academycast

Click here to visit the AudioShocker Store!

AudioShocker Podcast #148 - Remaster This

Nick saw The Goods (which was, oddly enough, really good), Neal liked the Sons of Anarchy opener, remastering Zombie Palin, Marvel's digital conversion, Neal watched a NSFW video about the Liberator Zeppelin, Justique reports live from the couch watching the VMAs, Nick saw Finding Bliss and a bunch of other adult parodies.

Project Basement - Songbird by Wayne Wise

After an unintentional skip week, Project Basement is back with...

Songbird by Wayne Wise

Songbird by Wayne Wise

This is our second contribution by the wonderful Wayne Wise (here's his first). In this piece, I love the personality and the heroic nature communicated by the artist. It's a laid back character sketch, but it's got smooth motion and great positivity.

As for the character herself, I really felt like she was poised on the perch of becoming a main Avenger. After Civil War, she took point in Thunderbolts and made herself seen around the covers and background heroes of the Marvel Universe. But instead of making it to one of the main Avengers books, she silently slid to the side. BOOOO!

Be back next week for the final entry in PB v1, Invisible Woman by Scott Hedlund.

Time Log #5

Shawn has just singled out Pete as an accomplice to Neil Diamond, the Pied Piper of her brainwashed reality. But Diamond's just the tip of the iceberg...

Time Log #5

PREVIOUS NOW NEXT
Time Log #4 Time Log #5
[ZOOM]
Time Log #6
New to Time Log? Start from the beginning with #0!

DUN DUN DUN!!!!! Shocking villain reveal! Who saw it coming? Go ahead, raise your hands. Yup, that's what I thought. Everyo-- errr, I mean, NO ONE!

First, we brought you future cyborgs. Then we brought you girls. Now we bring you the 37th President of the United States of America! So what's next? I'll give you a hint... S'MORES.

A Podcast with Ross and Justique #64 - Roomcast!

If our loyal listeners don't comment on this episode... Nick will perform "Who Let the Dogs Out?" in #65! NOOO!!! But now it's time for Tommy Wiseau and THE ROOM! Then it's time for While She Was Out... ehhhhhhh. Is it Whitesploitation? And a bit of P2.

Click here to visit the AudioShocker Store!

AudioShocker Podcast #147 - They Talk About Me Like a Dog

The AudioShocker moves to Brooklyn! Well, just half of it... but Neal has a new roomate! Pizza Pizza, Foursqaure, Mad Men, Soul Glo, Justique explains black hair to Neal, Obama, Das Racist, Pittsburgh Podcamp, and it's a rap.

Crap! I forgot Project Basement this week!

Oooops!!! Oh well, I was kinda under the weather over the weekend because I caught a cold after FanExpo Canada. And I've been pretty busy working on a top secret project with Brian John Mitchell. And I did something special for (Time Log artist) Shawn Atkins (sneak peak!):

Anyway, Project Basement will be back on next Sunday with Songbird by Wayne Wise, followed up by Invisible Woman by Scott Hedlund. At that point, we'll be wrapping up Project Basement volume 1 (now available in a nifty new ashcan, so email me if you want a copy!) and launching Project Basement volume 2 the following week.

Expect more of the same great artists to contribute to volume 2, but also get ready for some new talented contributors! I've already received a killer sketch from PB newcomer Byron Winton, so things are shaping up nicely!

Culturology #76 - Sally Forth!

Is it Friday again already? Golly. This week was even faster than the last.

As long time readers of Culturology (that is, Nick (and maybe Neal)) may recall, one of my favorite things about popular culture in Germany is the way they re-title movies, presumably, in order to fit in with German idiom. The classic example of this is 2008's In Bruges, which was titled See Bruges... and Die? in German. Where the English title was subtle and understated, the German title just went ahead and put it all out there. Another great example from that era (you know, back in like, 2006-2008, when movies didn't all suck?) was 3:10 to Yuma, which became, in German, Death-Train to Yuma.

So, on this trip, my most recent return to Germany, I am already defaulting to looking around to see what kind of titles foreign movies have in Germany. But it's been such a shitty year for movies that even the German titles are a let down. One exception might be Get Him to the Greek, though, as it's German title is just Man Trip. And further evidence that Germans want to be able to tell what a movie is about based on its title alone is Avatar's German sub-title, which I like to translate as Avatar: Sallying Forth to Pandora.

So why don't Americans want to know what movies are about? This of course ties in with the internet-era monstrosity that the notion of "spoiler alerts" has become. That somehow, if we know what a movie is about in any specific way, or know what is going to happen in it, then we can't possibly enjoy it. This is juvenile and foolish. So, then, even though we're the juvenile and foolish ones for feeling like the essence of a movie is (the sanctity of) its plot, it's the German titles that come off as stupid, and the Germans as the foolish ones for needing to know in simple fashion why they should bother going out to see a movie.

Though, the American movie industry still seems to make boat-loads of money despite not producing much shit that's actually worth watching, and then sometimes terrible movies (say, The Aang Legend) actually do way better abroad than they do in the States. So we're each and everyone of us--any of us with the social and financial wherewithal to go see movies at all--special little snowflakes of stupidity.