Monthly Archive for September, 2010

Time Log #8

Having found a creative way to kill some time with Neil Diamond's studio musicians, PastPete (soon to be FuturePete) is now feeling his music juices flow...

Time Log #8

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Time Log #7 Time Log #8
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Time Log #9
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AND WE'RE BACK. YEEEAAAH! So, whatchu been doing? Yeah, me too. Uh huh. Right. What? Oh-- HAHAHA!

ANYWAY, I would just like to point out my favorite part of this week's strip -- Neil Diamond's Superman hair. It's glorious.

And don't forget about our little contest... you tell us who you wanna punch in the face, we name a character after you!!! So get punchin'!

A Podcast with Ross and Justique #67 - Episode 1cast

Special guest Robot Nick!!! Ross is sick. Justique found Star Wars: Episode I - The Phantom Menace... watchable??? Jar Jar Binks, suspiciously accented Trade Federation characters, creeper Amidala and Anakin, and more.

Then it's time for EXTREME!!! X-Men ( Season 1, Episode 1 ) is a @#$%ing chore:

Next: X-Men ( Season 1, Episode 2 ) and Attack of the Clones in the Episode 2cast!

AudioShocker Podcast #150 - THREE YEARS!!! Almost.

Neal gets cranky about tequila, Conrad wants to know if podcast years are like dog years, and... how do crappy roles forward an actor's career? Neal name drops Anisha Nagarajan. Down in the Valley-- no, Deep in the Valley. Lower Learning. Shin Chin. Das Racist. Get Low is like Secondhand Lions. Then we all disagree about TV shows... at the same time.

Click here to visit the AudioShocker Store!

Project Basement - Captain America by Byron Winton

We're baaaaaaack! Project Basement volume 2 kicks off with...

Captain America by Byron Winton

Captain America by Byron Winton

A new contributor! Our first v2 sketch! Our first duplicate character. Wow. EXCITING.

Truth be told, there's a lot to like here. Funny, great use of color, the feel of a sketch with the polish of an accomplished artist (*ahem* byronwinton.com *ahem*), and TIGHTS! I mean, just look at that buckling crotch -- those pants are snug!!!

Anyway, I thought I'd leave the black edges of Bryon's scan intact rather than clean it up. This way, it gives you an idea of what type of sketchbook was used. The only thing it doesn't give you is an idea of the sketchbook's size... the damn thing is about as big as my hand! Basically, this drawing is far more detailed than it looks.

Now be back next week for Aquaman by... me!

Project Basement v1 Master List

Project Basement volume 1

The Project Basement volume 1 mission statement was simple: draw one of your favorite characters -- no matter your level of artistic ability -- capturing the energy and excitement of a passionate sketch in the process.

Anyone interested in contributing to future volumes should email me at nick (at) audioshocker (dot) com for more information. There's also an awesome print edition of PB v1, and if you're interested in scoring your own copy, hit me up by email for prices and ordering info.

Culturology #77 - The Metaphorical Scranton of the Heart

I was in class this morning, and I turned to the woman sitting next to me to ask her what day it was. I had decided in the previous moment that even though it kind of felt like Friday, it must actually only be Thursday. Boy was I wrong. It's Friday! And since I've already let two Fridays slip by without posting anything, and I'm always trying to improve my number (number of blog posts written), so here I am with your once-upon-a-time regularly occurring feast of cultural-analytical acumen!

Which brings up the usual problem of my really pretty thoroughly having checked out of following much pop culture at all. And I'm not quite up to the task today of giving a truly personal account of coming unplugged from mainstream culture. Except that, for instance, now I know that the American tv show The Office takes place in Scranton, PA, which I learned yesterday while doing some important research about Scranton. So that's where I'm at, culturally, dabbling here and there, but mostly wondering what's going on in Scranton. A kind of metaphorical Scranton of the heart, but Scranton nonetheless.

So once one realizes that they're in such a place--this figurative Scranton--one must then take the adjoining metaphorical coal mine tour, to really see what one has going on in the deepest recesses of one's supposed cultural vacuum. And then you realize that it's inescapable. Only with years of practice, for instance, would I be able to expunge all the Simpsons references from my worldview. I was just talking last night, in my still-far-from-fluent German about creative choice and one's mother tongue. Like, it wasn't up to me that I speak English. And my parents could have raised me multi-lingually, but they didn't. So here I am, more or less stuck with English, and sometimes bored by it, so always trying to make it interested again (or learning other languages, which can then inform back onto my mother tongue).

And in the same way, I guess once upon a time I started watching, say, The Simpsons (though I had pretty much stopped keeping up with new episodes by the time I got to college, back in 2000), but I don't really remember why. Except I thought it was funny, I guess, but I can't actually recall the day when suddenly my brothers and I became the thorough devotees that we were (though I do know that it was extremely aided by syndication, with the massive number of repeats being the ingraining force behind the total reference-making ability that I have through the first 6-7 seasons of the show). So, even if I made the choice to watch the show, I was definitely massively influenced just by syndication alone. And that hardly seems like my choice.

So there's all this cultural stuff, then, constantly replaying itself in syndication in my personal version of the zeitgeist. So then, is it ever really possible to actually fall out of touch? What if I move to Scranton?

Time Log #7

FuturePete continues his flashback as he explains how he got tangled in Nixon and Neil Diamond's evil web of power!

Time Log #7

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Time Log #6 Time Log #7
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Time Log #8
New to Time Log? Start from the beginning with #0!

YEEAASS! That's some classic Time Log hijinks right there. But enough of the present. Let's talk about the future...

Soon, in another six or so installments of Time Log, we'll be introducing new character. And this special individual needs a name!

That's where YOU come in. In fact, this new character's name could be YOUR NAME. How? Here's how: the Time Log Get-This-Character-Named-After-You Contest!!!

How to participate: Either comment on this post or email (nick @ audioshocker.com) with your response to this question -- "If you could go back in time and punch one person in the face, who would it be?"

How to win: Give us the best damn answer out there!!! (P.S. If you don't quite get the question, then you should probably read the Time Log one-shot! Purchase it here or here.)

Click here to visit the AudioShocker Store!

A Podcast with Ross and Justique #66 - Police Academycast

Announcing EXTREME -- Epic X-Men TV Review Endurance Marathon Extravaganza! We watch every episode of the 90s animated series and review them one-by-one (starting in #67).

Then it's time for Police Academycast!!! Hint: the movie's not that good. Pat Proft. Ghost Hound. And ragging on M. Night.

NEXT: X-Men ( Season 1, Episode 1 ) and Stars Wars: Episode I in the Phantomcast Episode 1cast!!!

AudioShocker Podcast #149 - The Crankycast

Tune in to hear the crew get cranky. Nick and Justique saw the Joaquin Phoenix documentary, I'm Still Here. Grayscale vs. black and white, Neal vs. dark yellow (which is NOT brown), and Macho Man workout videos. AND Neal saw Zombieland. And can we please get a G-D ruling?

Project Basement - Invisible Woman by Scott Hedlund

Project Basement volume 1 ends with...

Invisible Woman by Scott Hedlund

Invisible Woman by Scott Hedlund

In his last contribution, Scott delivered an iconic Supergirl, and now he's back with a very personal Invisible Woman. Not personal as in personal for Scott, but personal as in I feel like the character is personally approaching me (or attacking me, depending on how you look at it).

I like the unique use of her power signature, which is something difficult to portray considering it's, well, invisible. I also appreciate the fact that Sue, while attractive, is not overly sexualized here -- she has a natural body and commonness to her face that makes her feel less like a centerfold and more like a renegade astronaut-turned-superhero.

Be back for the beginning of an amazing new chapter in Project Basement... VOLUME TWO! We kick off the festivities with Captain America by Byron Winton.