Monthly Archive for January, 2009Page 2 of 3

Musical Ennui - I Hate Everything On My iPod

Yesterday, 5:50PM, Peoria, Illinois, The Gym. As I round my way into the second straightaway of my third lap, I start to wonder: is this really necessary? I'm not 'orca fat'. I don't need to lose 15 pounds, and jogging around the indoor track with all the short-timers isn't doing anything for my morale. More importantly though, what the hell is up with the music selection on my iPod?

I've been going through a bit of a musical crisis recently, and I don't mean some sort of purple lit Fosse number. I am starting to hate every single album I own. Discs with previously infinite replay value no longer titillate. Fashion Nugget, once represented the quintessential Cake album, but now it lays fallow in the rotation. The problem is not genre specific. Aimee Mann's latest album and the Skillz's disc which I extolled as recently as October fall flat now. Even the stalwart guardians of Harlem, The Diplomats, fail to stir my spirit.

I am serious; this is not something I take lightly. Albums like From Me To U are more than just great discs, they are the soundtrack to my life. That disc used to be a musical flashback to my junior year in college, the FTC house, and the debauchery of my 21st birthday. I can barely stand to her Juelz Santana's voice anymore. In fact, Killer Cam, SAS, J.R. Writer, and the whole clique sound old and busted now.

Is this the natural way of things, to randomly fall out of love with our favorite music? It is a cruel hypothesis. Will I forsake Modest Mouse and Good News For People Who Love Bad News if something slightly more engaging comes along? Why has Blues Traveler's Four lasted so much longer than Dave Matthews' Under The Table And Dreaming? When did Diana Krall replace her husband in my head space? Sure, musical tastes change, but this is maddening. There are people who still love Def Lep. To them, 80s hair metal never went out of style. Me, I'm losing my taste for albums less than a month after I get them. (For the record, I am not 'hip' when it comes to music. I usually 'discover' new bands about 1-2 years after they break.)

Solutions? I have had varied and fleeting success. I tried more focused, but less frequent listening, but imposing rules defeats the point of casual listening. In 2007 I went to several shows, which were great, but now those three artists are all on my shitlist (Regina Spektor, The Decemberists, and Badly Drawn Boy). I even tried to open myself to more genres and artists, but it isn't a switch you can just flip. I didn't warm up to hip hop until high school, and only in college was I able to acknowledge the indie scene.

So I appeal to you, the AudioShocker community, please help me out. There must be a way to overcome my musical ennui.

AudioShocker Podcast #64 - High-definition Blu-ray Balls

The Wrestler and The Foot Fist Way were watched by Neal. Nick and Neal disagree about the quality of News Radio but they do agree that French Stewart is lame, Ludacris is best as a guest, and Big Stan finally comes out in March. Neal is scared of yellow food but he still manages to review new music by Ciara, Fleet Foxes, and Jamie Foxx. Nick and Neal argue about female rappers and their business decisions. Nick saw Frightened Rabbit play live in Philadelphia. Neal read Dark Horse Presents and Wormwood: Gentleman Corpse. And, oh yeah, Final Crisis #6 SPOILERS!!!

Culturology 015 - Non-Starter

So most of you probably have to work today, or have been working already. Of course, as you probably recall from your own school days, MLK Jr. Day is often a full holiday for Universities. So when I slept in today, once again having not yet written a post for this week, I wasn't worried, since, in my mind, I wouldn't actually have to write a post today since it's a holiday, and no one would be around to read it anyway. But then I got an email from one of my brothers which happened to mention the fact that normal working folks don't get this day as a holiday at all. Plus, I also neglected to think that my office hallway would be locked on campus, which means I can't get to my computer at school, plus, I forgot my power cable and only have like 18 minutes of power left on my laptop.

And I'd rather spend that time reading Steelers coverage (great game last night, here we go Steelers!), so, sorry folks, no Culturology this week.

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The Top 9 Playable Marvel Characters in Capcom Fighting Games

Okay, first, let's set the ground rules. X-Men: Children of the Atom can't be considered in the running. It's too hard to find, and in all my years of love for Capcom fighting games I've never had the chance to play it. Also stricken from the record is Marvel vs. Capcom 2. I know I'll hear a lot of whining about that, but here's why it's off the list - the playability sucks. The designers spent too much time on character sprites and not enough time on defined playability. Characters may look good, but they only have a fraction of the moves that characters have in the other Marvel fighting games. Therefore, I will allow Marvel Super Heroes, X-Men vs. Street Fighter, Marvel vs. Street Fighter, and Marvel vs. Capcom.

9. Blackheart - Yeah, Ghost Rider was popular in the late 90s, but Blackheart!?! Along with Shuma-Gorath, Blackheart was a bizarre choice for a baddie. Still, his playability is awesome, with excellent long range attacks and a few really great specials.

8. Cyclops - Personally, I think Cyke is a natural for a fighting game. He's got big power and he's also a scrapper. His eyebeams make him a great long range character, while his kicks make him a strong close range fighter. The only flaw is that he doesn't have more variations in his eyebeam moves.

7. Gambit - In the Capcom series, Gambit is one of your all purpose agile characters, contrasting especially well with with Jin and Strider Hiryu in Marvel vs.Capcom. Gambit has great power moves, like when he smashes your face in with his staff or charges you up to throw you. And his specials are huge.

6. Spider-Man - Spidey is another one of your all purpose agile fighters, with even greater speed and damage hits than Gambit. I like to use Spidey when I've been beat a few times in a row by an opponent. Bringing Spidey out and landing lots of fast, close range hits is especially demoralizing to a challenger.

5. Wolverine - While Spidey does have great speed and close range attacks, Wolvie has the capability to utterly devastate another player when you're in a bind. His charging moves are especially powerful, and his speed can do irreparable damage in a short space of time.

4. Hulk - Big hits. That's what Hulk does best. Often, he accepts far more damage than smaller characters like Wolvie and Spidey, which can be frustrating. But when Hulk lands his hits, the battle is decisive and it ends fast. His specials are decent, but his regular kicks and punches have tremendous power.

3. War Machine - Rhodey is the replacement for Iron Man in the later Marvel fighting games. While they are basically the same character, War Machine has a few extra moves that make him superior. But even beyond that, his playability is fantastic, with wonderful long range projectile attacks, solid close range strikes, and tremendous specials. Plus, the SFX make a little metal noise when he gets hit. How cool is that?

2. Captain America - Okay, Cap has next to no long range attacks. He's not a well rounded character by any means. But he is by far the best close range fighter, mixing agility with strong basic moves. He's not as fast as Spidey or Wolvie, but his hits tend to land better and with greater effect. His specials are solid, and his power moves are always dependable. Plus, it's demoralizing to an opponent to lose to Cap because he doesn't have all the fancy projectiles or flashy power moves.

1. Juggernaut - An odd choice for the top of the list, but well deserving. Juggs has the hit presence of the Hulk, but with greater speed and agility. His blocks are far more dependable than the Jade Giant or Zangief (the other big brawler characters). And his specials always wreck an opponent. To top it off, Juggy is a wonderful character even in assist mode (as a "sepcial hero"). Overall, he's the biggest bang-for-your-buck in Marvel fighting games made by Capcom.

Next: The Top 9 Fighting Games!

Why the Top 9? Because 10 is too many and 9 is better. 3 X 3 = Awesome. Now that’s what I call math.

Yolk It Up

How is that for Rotten?Remember that time back in Podcast 24 when I talked about the rotten eggs that had been in my fridge for two years? No? Well check out our MySpace for a quick recap. Anywho, I finally cleaned out my fridge today and threw away Teeny, Tiny, Einee, Weeny, Itsy, and Bitsy. I have to admit, I got a little misty-eyed as I swept out their now empty cradles and erased any sign of their previous existence with a squirt of Simple Green. Sigh... Oh well. More room for booze.

3 Panel Reviews - It's a Bird... (graphic novel)

I didn't want to... but I liked it!

Continue reading '3 Panel Reviews - It's a Bird... (graphic novel)'

I Call Shenanigans On the 1999 MTV Video Music Awards

Ok people, the internet and I do not have a new music video review for you. Instead, please consider the following list of MTV Music Video Awards winners from 1999 and tell me it isn't suspect.

Video Of The Year Lauryn Hill, “Doo Wop (That Thing)”
Male Video Will Smith, “Miami”
Female Video Lauryn Hill, “Doo Wop (That Thing)”
Group Video TLC, “No Scrubs”
Rap Video Jay-Z feat. Ja Rule & Amil-Lion, “Can I Get A …”
Dance Video Ricky Martin, “Livin' La Vida Loca”
Rock Video Korn, “Freak on a Leash”
Hip-Hop Video Beastie Boys, “Intergalactic”
New Artist Eminem, “My Name Is”
Video from a Film Madonna, “Beautiful Stranger, ”Austin Powers 2
R&B Video Lauryn Hill, “Doo Wop (That Thing)”
Direction Fatboy Slim, “Praise You”
Choreography Fatboy Slim, “Praise You”
Art Direction Lauryn Hill, “Doo Wop (That Thing)”
Editing Korn, “Freak on a Leash”
Cinematography Marilyn Manson, “The Dope Show,”
Special Effects Garbage, “Special”
Breakthrough Video Fatboy Slim, “Praise You”
Viewers' Choice Backstreet Boys, “I Want It That Way
(source: Infoplease.com)

I think It is remarkable that out of 19 categories, Lauryn Hill walked away with 4 Moon Men, and Fatboy Slim took 3. Were the post-Fugees and overly accessible 'techno' that appealing to our collective musical pallete? (Ugh, FUCK Moby) Additionally, I have no idea how Will Smith's Miami got Best Male Video (and why are there gender specific categories?). Gettin' Jiggy Wit' It was great in 1998, but past success should not be used as a basis for future accolades.

And weren't boy bands huge until at least 2001? How then did the Backstreet Boys get Viewer's Choice but nothing else? I call shenanigans all over this list. Nonplussed, I dug deeper and pulled up the 1998 list. While it skews toward rock/alt, Madonna's Ray of Light just totally kills it - 5 Moon Men! How is Madonna spastically moving in front of a green screen worthy of awards for great choreography, direction, or editing? Could it be sales?

Let's look into that, according to the BillBoard Hot 100 and The Village Voice, the top single of 1999 was either Cher's Believe or TLC's No Scrubs. I don't see Lauryn Hill or Fatboy Slim anywhere. This suggests that the VMAs are based on something other than spins or sales. Fair enough, this is the Video Music Awards. But wait...

BOMBSHELL - Britney Spears' first single...Baby One More Time was released in Q4 1998, the album was released January 12th 1999, and the 1999 VMAs were in September. It does not add up. How is it that from 1998-2000, Spears won exactly zero Moon Men? Seriously, how many of you called TRL to request that video?

Personally, I am a little surprised that TLC's No Scrubs didn't clean up. That video was what 1999 was all about - hip hop explicitly defining the vernacular and the end of the shiny suit.  TLC was pretty huge in the 90s: Creep, Waterfalls, etc., and No Scrubs was a major hit. Even Jay-Z and rat-faced Ja Rule's Can I get A... or Ricky Martin's Livin' La Vida Loca would have been better choices than Doo Wop or Praise You.

Of course, the VMAs are indicative of nothing. They do not represent music sales, viewer requests, or any other quantifiable measure. Like all awards shows, they are a foil for shameless PR, red carpet pageantry, live performances, and mirror-facing self-congratulatory masturbation. It looks like MTV has recently (at least in 2008) extended the voting process to the public. Still, who are they fooling? You can't divorce a song from its music video. Nobody wants to watch a music video, no matter how awesome it is, if the accompanying song does not appeal to them.

Granted, my argument may have a few holes, and this is all based on two hours of armchair research, but I just cannot buy the 1999 MTV VMA results.

Here is big my question for the MTV VMA judges/voting committee: If Nick and I shoot a UAL video and pony up some guap, can we have the 2009 awards for Best Group/Rap/Breakthrough Video? We need to know soon, so that we can get our entourage ready.

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AudioShocker Podcast #63 - McConahoochie Man-Crush

Racial slurs in Gran Torino, Clint Eastwood and his Eastwoody, Black Snake Moan and its Son House soundtrack, A Time to Kill reveals Neal and his Matthew McConaughey man-crush, Nick just heard 50 Cent and Justin Timberlake's "Ayo Technology," Neal just saw Yes Man with Jim Carrey and Zoey Deschanel, he also saw JCVD with Jean-Claude Van Damme, Nick read Marvel Adventures Super Heroes #5 and Tales of the TMNT #53 and X-Men: Worlds Apart #3, and after the end theme the guys talks about superhero decadence and Bill Willingham.

Culturology 014 - Football and Beer

Welcome to the latest "Oh shit! It's Monday already!" edition of Culturology. I'm feeling more and more like I didn't know what I was getting myself into when I told Nick I'd write a weekly post for him. So here goes nothing; lets see if I can't get a few paragraphs out, here, before the workday (on the East Coast) ends...

This probably stretches the bounds that I initially delimited for culturological investigation, but it should be known that I do tend to watch NFL football. This needs little rationalization; I'm from Pittsburgh, where watching the Steelers is a matter of course (the Nielsen rating figures say that something like two-thirds of all households in Pittsburgh tune in to the Steelers games each weekend during football season). Now, and again, referring back to the one podcast that I guested on at the end of last year (so long ago, already, isn't it?), I there made the claim that I don't have Television. This isn't exactly correct--a friend of mine gave me her old TV back in May when she was leaving town. This is part of living in Miami--at some point, people will offer you a TV if you let them know that you don't have one. However, though I do own a television, I do not feel like I was lying when I said that I don't have Television. I have used my TV to watch only three categories of things: DVDs, Football, and a couple of the debates + election night coverage. Not even Late Night w/ Conan. It doesn't occur to me to watch anything, and I don't have cable, and once broadcasting standards switch over to digital in another month I won't have any channels at all.

One thing about watching football--and, yes, I did watch all four divisional playoff games over the weekend, capping it off with a glorious win by the Steelers over the Chargers--is that, especially when one isn't used to watching Television, a great amount of commercial fatigue is experienced. The last time that I watched football on such a consistent basis was back in 2004, when I was fresh out of college. At that time, initially, I found that the best ameliorative for commercial fatigue was to comment cynically on the content of the various ads. This, eventually, though, fell quite flat--in deciding to engage with these advertisements at all, however quasi-critically, though I was making the important distinction of not taking them for granted or granting them the right to unquestioned existence, I was basically admitting that they were successful program of getting me to recognize that their almost certainly unethical products existed. So I decided to stop criticizing commercials, much to the relief of my roommate who himself was getting quite tired of getting me griping about every single commercial that came up.

But, then, what am I left to do? I couldn't help but start back on the old program of criticizing commercials as I watched them over and over again over the weekend. Did you know that there are several pick-up truck manufacturers, all of whom would like you to recognize that their truck is the best? Also, that there are several varieties of beer out there, all of which combine taste, refreshment, and lack (the absence of calories) in astounding variety? I would've never guessed. Luckily, my better judgment restrains me from actually, like, riffing on these issues. Except for one thing that struck as something of a breakthrough:

Coors brewing advertised it's beer--just regular old "Coors"--as having a "full-flavoured taste." This strikes me as a breakthrough because I don't recall the last time that a macro-brewer admitted that there was such a thing as "flavor" in the first place. The general lingo hinges on "taste," in a barefacedly fascist move of announcing to its consumers that they will (I mean that in the imperative rather than conditional sense) prefer this beer of that one because it has "more taste." Taste, though, of course, is a quality, not a quantity, and additionally a subjective quality; that is, it's perceived by the taster as opposed to an objective quality (e.g. "fizzy," or "yellow"). So, the central claim that not only is there such a thing as intrinsic taste, but it can be quantified and measured (my claim that this is, essentially, fascist, is that those subjects that accept these beer makers at the words are made subject to a top-down program of aesthetic control; that is, relinquishing their own subjective experience to a more powerful authority), is patently false.

What is curious to me, then, is what the ad-wizards at Coors think they mean when they say that Coors tastes like flavor, especially given that "flavor" is the correct word to describe the objective qualities of a given beer--drinkers taste the flavors of the beer. Have they finally figured this out? Are they finally going to wean the advertisement-viewing public off of the notion of beers have quantifiable tastes? That would be for the best finally, as we can all, then comfortably, take a swig of our favorite, fully-flavorful macro-brews and proclaim, proudly, that "This tastes like shit!"

Obama and Bush Are Tag-Teaming WHO Now?

Thank you, Yahoo, for this great headline.

Ewwww, gross!

I'd be uneasy too if George W and Barack were trying to tag-team me for money. Man, those guys will do ANYTHING to bail us out, huh?