Monthly Archive for February, 2008

ComicShocker Week 09 2008

I love to write ComicShocker columns that pose big questions. But sometimes I read a comic that’s so good, I feel compelled to promote it rather than let loose with a “Why does Galactus eat the whole planet when the core probably gives him heartburn?” type of query. The Many Adventures of Miranda Mercury #295 is that type of comic. That’s why it’s one of my Reads You Need.

I’ve followed writer Brandon Thomas’ online column, Ambidextrous, for years. Seeing his Miranda Mercury comic book on the racks at the comic shop today was an accomplishment that I envied in the most benevolent sense. Yet the entire conceptual package of this comic is so strong that I would love this book just as much if I’d only discovered the author for the first time. The intergalactic adventures of Miranda are mind-bending. And don’t be fooled by the #295 on the cover – this is the first issue of the series. The increased numeration is to enhance the reading experience.

Lee Ferguson’s pencils are future psychedelic with a strong sense of coherent storytelling. His work is a beautiful blend of the definite and the geometrically abstract. Marc Deering’s inks do a fantastic job capturing the range of textures that make this visual package so distinctive. The quality colors by Felix Serrano are integral to the success of this issue, as they elevate the art from smart to stunning. The letters by Matty Ryan look great and work very well, only slipping when they use an unclear font for certain alien language.

The creators of this comic book are lucky I just finished the first volume of Jack Kirby’s Black Panther. I can see King Kirby’s adventurous influence dripping off of the pages of this comic. And that’s a good thing because I was hungry for more of this sort of storytelling the moment that I completed my Black Panther TPB today.

Basically, go grab this issue. It’s a fun romp through a sci-fi superhero future that poses big questions (you know, the kind I like) while doling out both psychological and physical action. Check out MirandaMercury.com for more (but since the site takes way too long to load, just try going to the Miranda Mercury downloads page instead).

JayZ - I Don't Know What You Were Thinking

Just last week I noted that Flo Rida was no JayZ. That may have been a little harsh but I stand by it. However, after watching JayZ's new video I Know, it might not be such a bad thing. Ready for the analysis? As usual our discussion will encompass the beat, video, content, and vocals.

The Beat: I didn't like Blue Magic. I don't like this beat either and both were produced by The Neptunes. I think Pharrell keeps the best beats for tracks where he gets a video cameo. I am remarkably unimpressed by this beat. It is too acid/downtempo (well, minus some of the bass). This shit belongs in a darkly lit lounge. And speaking of darkly lit...

The Video: Who shoots an entire video in the dark? Whatever the significance, it is lost upon me. Why even bother shooting a video if you can't see it? Even Bjork videos make more sense than this.

The Content: According to MTV, 'Jigga's not just an obsession -- he's an addiction.' Ok, I get it: JayZ's music/lovegame is so fresh that this girl is straight fiending for it. The punchlines and metaphors aren't top notch - but they don't depend on namedropping either (which is good). The sexual/addiction angle is well applied and tame enough that it won't be mutilated by radio.

The Vocals: JayZ has a great delivery and can ride beats exceptionally well. It is well documented, and I can't clown it at all. Remember the Gray Album and how awesome that was? Yeah, me too. However, Jigga's delivery is out of place here. The whole thing sounds like an extended guest verse on someone else's track. I am not feeling it.

The Bottom Line: The merit of the verse is overpowered by the mediocrity of the beat and unwatchable video. Maybe someone will remix this over another beat and it'll sound better. The only good track/video off this disc so far has been Roc Boys (And the Winner Is).

AudioShocker Podcast #20 - Virgin Black Eye

We argue all the way about Day of the Dead, barbecue ribs with orange juice, Be Kind Rewind, Jack Black, The Eye, Free Jimmy, Reno 911 Miami, The Color Purple, Danny Glover, Herbie Hancock versus Amy Winehouse, The Wire, autographs, Virgin Comics, Jenna Jameson's Shadow Hunter, Coalition Comix, Gotham Chopra, World War Hulk Aftersmash Damage Control #2, Young Avengers Presents Hulkling, Daredevil #105, Captain America #35, X-Men Legacy #208, R Kelly, Candy Licker, and other things.

 

ComicShocker Week 08 2008

I’ve been having a running conversation with a friend about the current state of the X-Men. Hell, I’ve even been sharing my theory online with non-receptive comic book fans on message boards (known as “fanboys” by some and “trolls” by others – I prefer straight up “fans”). And the more I think about it, the more I wonder:

When did the X-Men go from optimism to extinction?

Evolution has always been a part of X-Men comics. The very X-Men concept itself beleaguers the notion of human growth. And while extinction is a reality of evolution in some respects, the gloomy concept of fading legacy has become the dominant reality of the X-Universe.

What initially attracted me to the X-Men was their enormous spirit of optimism in the face of adversity. If you’re reading any X-books nowadays, you’ll know that the adversity is still there… only the optimism seems completely gone.

Take Professor Charles Xavier, for example. He’s the founder of the X-Men and leader for long stretches throughout team history. Lately, his main role has been that of secret sinner. Writers seem to have fun writing Charles as the ideological champion with serious things to hide. This was interesting the first time. Now it’s tired. Let the guy be a hero. What’s so wrong with that?

Cyclops was always the stiff guy that made tough choices with the best of intentions. Now he’s sending former X-Men off on covert killing missions and justifying his preemptive strikes as reasonable behavior in the name of security. What? George W. Cyclops. Right.

Oddly enough, the only character that seems too good to be true lately is Wolverine. He’s transformed from an unpredictable violent killer into a handsome sage with murder in his past (and present). It’s not a bad move, but it is odd.

Storm was once an inspirational force of nature among the X-Men. Now she’s relegated to a minor supporting role in the X-books. She’s seems like she’s around just to keep up appearances more that anything. She really needs to move up to the big leagues now. Marvel ought to make her an Avenger and call it a day.

Beast was once a bouncy scientist with a playful spirit. Now he’s digging through mass mutant graves and making deals with murderers to try and genetically engineer a cure for mutant extinction. Say what? It’s like some weird apocalyptic reality that only seems to affect mutants.

I’m not asking for anything to revert or change back to the way it once was. What I desire, however, is a sense of hope to emanate from the tales of the X-Men. After all, it was X-Men comic books that taught me tolerance, appreciation, and the value of forging a family made of your closest friends. What do they teach now? How to spend your final days with a deadly vendetta?

Flo Rida - I Will Not Ride Your Elevator

Flo Rida's single Low is doing pretty well. I mean, these days having T-Pain's vocoder-riding ass anywhere near your track seems to grant instant success. So, it shouldn't surprise you that homeboy's new single Elevator features non other than super producer Timbaland. As usual, I'll give you the lowdown and examine the beat, video, content, and vocals.

The Beat: The intro piano line sounds like it was stolen from a daytime soap. Fortunately, it doesn't last long and Timbaland promptly dispenses a Promiscuous Girl grade beat. The subtle synth line works really well against the snaps. Are you dancing yet?

The Video: Whoever styled this video has a great sense of humor. The elevator girls are well cast and the 'hood rat' has the best facial expressions. The dancers look like they got lost on the way to a Sir Mixalot / MC Hammer video shoot. The whole "Elevator" thing is funny without being overdone; Aerosmith would be proud. And did you catch the GMILF at the end?! Negatives: a little too much product placement (watch, Gucci bag, iPhone etc), celeb cameos (Rick Ross and like every other dude from MIA) were extensive, and too many shots of Flo Rida's lame tattoo.

The Content: Basically Flo Rida is saying that regardless of what kind of girl you are. Golddigger, classy dyme, or hood rat - he can do you right. Does this sound like well worn territory to you? It is. Every rapper has one of these "I love all types of women" tracks. Remember Girls Girls Girls by JayZ or E.I. by Nelly? The major difference here is that Flo doesn't use punchlines - just pop culture references like "drop that top model body."

The Vocals: Flo can't ride a beat like Nelly or JayZ, but, I'll take homeboy over Akon, T-Pain, or Hurricane Chris anyday. Also, his delivery is pretty clear.

The Bottom Line: The hook is simple enough for your grandma, and maybe that's enough to make this track a hit. A great video certainly can't hurt either. Enjoy this one.

AudioShocker Podcast #19 - Balls of Hanuman

Flapping our gums about Chromeo, Snoop Dogg, Sushi Kim, Sakura, How Lee, Juno, Balls of Fury, Virgin Comics, Grant Morrison, Alan Moore, Frank Miller, Promethea, X-Men, Wet Moon, Ross Campbell, french fries, Suicide Girls, Vogue food critic, Step Up, Step Up 2 The Streets, Carmike Maxi Saver, The Return of Hanuman, Darieth Chisholm, White Tiger, superheroes, Iron Man, Hardboiled, Charlie Bartlett, Hot Fuzz, and wow there has gotta be more.

 

The Strike Is Over - But Is House Coming Back?

House M.D.It's hardly breaking news anymore but it is official: The Writer's Strike is over. Production crews are returning to work and we will have some new episodes this year. That said, we are looking at maybe 4-5 new episodes for most shows, and March Madness is certain to mess with the program a bit.

Kirsten 'The Kitchen' of Yumbrosia pointed me to this post at The Futon Critic that details production schedules and remaining episode counts for the major broadcast networks.

Animated shows such as King of The Hill, The Simpsons, Family Guy, and American Dad are largely unaffected this season.

Unfortunately, Chuck and Heroes won't resume production but were both renewed for another season.

30 Rock is coming back (maybe?) and House should return with 4-6 eps.

How I Met Your Mother is coming back strong with 9 new eps.

Lastly, sorry SATC fans, it looks like Cashmere Mafia and Lipstick Jungle only have 2 and 6 eps left this season respectively.

ComicShocker Week 07 2008

I have a serious addiction. And I'm not talking about comic books here... I have an addiction to those too but that is much more controlled. The serious addiction I'm referring to here is the online hunt for large digital images of comic art, wallpaper size and bigger.

See, I have a widescreen computer. I run at 1440 x 900 resolution. That means most desktop wallpaper found on the Internet doesn't work me. I have to make my own. And to compensate for my 1440 width, I need images at least 1200 pixels wide or else the background looks like crap on my desktop.

Luckily, there are a couple sites that give me a frequent fix. By going straight to the source, I can get decently large wallpaper images from Marvel.com. They update frequently and they occasionally surprise me with an unseen piece of art (though their "First Look" wallpapers are rarely the first look).

I must follow this by saying that I like my large digital images unencumbered by watermarks and other horrid trappings. Marvel stamps these wallpapers with their ugly watermark and a title slug at the bottom. This means I have to crop each of them one by one to view the image clean and clear. It gets annoying.

But there's an antidote. A Polish site that goes by the name of Avalon over at MarvelComics.pl. One or two times a day they post large scans of the cover and two interior pages of many popular Marvel titles. This site would strictly scan X-Men covers for years, but following Civil War they expanded to all of Marvel's titles.

Depending on who scanned the comic on Avalon, it may look crisp or it may look grainy. But there are so many great choices that I don't mind much when I get a grainy pic. They've been scanning at a width of 1280 on almost all titles lately, so I'm happy.

Other sites deliver the goods on a more sporadic basis. Avengers Forever will post many preview covers on their message boards, but only sometimes are the images of superior size. DC Comics has their own wallpaper section like Marvel, but their images tend to be ruined by excessively large logo text.

Better yet, some sites will feature an entire month's worth of cover solicitations at high res sizes. This tends to be rare, and unfortunately there is no one site that always carries large versions of the pure cover art (minus logos and trade dress). This site has popped onto my radar recently. It carries covers and sometimes the links to interior pages work.

Having the right image as your desktop background sets an important subconscious tone. Personally, I love the hunt to find the best and biggest comic pics possible online. Google Image Search is always a great resource. And now that they've resurrected the "extra large" image filter, things are looking up for my addiction.

AudioShocker Podcast #18 - Y the Third Nipple

New and improved audio quality graces this convo on third nipples, George Stanford, wearing vests with no shirt and feather earrings, Nutsack Supernova, anti drug PSAs, Persepolis, Hobbit porn, lack of Avatar, Sarah Connor Chronicles, Lipstick Jungle, Y the Last Man last issue, New Avengers #38, Punisher War Journal #16, Marvel Adventures Hulk #8, Black Panther #34, and some last minute Grammy gossip.

 

Missy Elliot: Shake Your Pom Pom vs. Ching-A-Ling

Attention Hip Hop artists: This 2 video in one thing has gotta go. Seriously, cut that shit out. Missy is particularly fond of this tactic which focuses on pushing a crappy single and then teasing you with a much hotter but shorter track at the end. Ginuwine is also a noted offender. Juelz Santana did this with Postman / Clockwork. The 25 seconds of Clockwork at the end of Postman were so savage they immediately erased my memory of the 3 previous minutes.

Missy's new combo Ching-A-Ling / Shake Your Pom Pom just hit, and since I'm feeling prolific this week, I'll give you the breakdown for both videos.

Ching-A-Ling

The Beat: The beat doesn't do it for me. I am not a fan at all. It is not worth explaining further.

The Video: I was a little concerned at first. The video starts off looking like a hip-hop Gap Ad: dancers wearing bright colors in a white room. However, the choreography does not disappoint. The spider/shoe thing is something you don't see everyday and is reminiscent of Labyrinth. Missy keeps it fresh.

The Content: Has Missy made a track that didn't revolve around her ass or shaking it? I don't think so, and that is fine with me. 'So fresh and clean you can call me Irish Spring," is a pretty campy line. Missy is all about cheesy punchlines.

The Vocals: The chorus is annoyingly catchy. Additionally, the whole thing sounds muddy. The punchlines get lost in the delivery - not her best.

Shake Your Pom Pom

The Beat: This beat is so hot I can't handle it. I'm a sucker for the drums. I immediately started thinking of Naughty by Nature.

The Video: F I R E. Booty dancers doing it right. I want to be at this house party right now. Seriously, where is it? I will turn that shit out.

The Content: Another song about dancing and booty? Why not? The song doesn't describe a specific dance like Walk it Out, Flap Your Wings, or Crank Dat. Instead, Missy focuses on getting down. This is an important distinction and Missy doesn't drop any new slang (besides the title itself) or innovative rhymes.

The Vocals: The vocals are really loud on the track and Missy's voice is assertive but not overpowering. I really dig Missy's delivery here. She uses a kinetic flow that almost no one even attempts that these days. It sounds kind of like Lipstick by Lil Mama. My only issue is the weak chorus.

The Bottom Line: While Ching-A-Ling has a decent video, it does not have the appeal of Shake Your Pom Pom. Ching-A-Ling is for serious Missy fans. Shake Your Pom Pom is much more accessible and would make an excellent -if short- addition to your workout mix.